Technological sequence for making the base of a straight skirt. Cutting and sewing the skirt. for processing the slots in the skirt
1. Place running stitches along all altered lines.
2. Remove the basting threads and turn the skirt inside out.
3. Remove the original running stitches in the places where there was a split.
4. Fold the skirt face inward, bend it along the lines of the middle of the front and back panels.
5. Shoal along new lines using a ruler or patterns.
6. Transfer new chalk lines to the second side of the product.
7. Baste the skirt along new lines.
8. Carry out a second fitting, finalizing all the lines.
Instructions for processing skirts after the first fitting
1. Processing darts(Fig. 156)
It is performed in the same way as on shoulder products. Differences may be caused by the thickness of the fabric (see Fig. 100). Wet-heat treatment of darts is different for different fabrics: on light fabrics, the darts are ironed with an internal fold towards the middle of the front or back; on fabrics of medium thickness, the darts are ironed out as counter folds; on dense fabrics, the darts are cut along the fold, not reaching 2-3 cm from the end of the dart, the sections are overcast and ironed. On thick and medium fabrics, you can sew darts with a stitched piece of fabric, then the dart is ironed to the middle of the front or back, and the stitched piece in the opposite direction.
2. Processing folds
One-sided folds(Fig. 157)
Stitch to the marked level, then turn the stitch towards the fold of the fabric; remove the basting on the seam area, leaving it from the level of the bottom to the line; Press and press folds; process the bottom of the skirt. Along the inner fold, sew a stitch from the bottom to the level of the stitching of the fold, 0.2 cm from the fold.
Iron the folds completely.
Bow pleats(Fig. 158)
Processed as one-sided, ironed with folds in different directions.
Counter folds(Fig. 159)
Stitch from top to bottom to the intended level, securing the stitch in reverse by 1.5 cm next to the first stitch; remove the top part of the basting. Iron the fold symmetrically from the midline; further processing is similar to one-sided folds.
3. Processing of raised seams
Sew seams, remove basting, overcast edges; iron or iron (according to the model); perform finishing stitch on the front side according to the model; iron the reliefs.
4. Processing of yokes
Straight yokes
They are processed similarly to the yokes on the bodice of the product.
Curly yokes
Yokes with corners and sharp curves (color table XIII) are processed with undercut facings, the width of which is equal to the width of the finishing stitch plus 0.5-0.7 cm for the facing seam plus 0.7-1 cm for the free cut. For example, according to the model, the width of the finishing stitch is 1.2 cm + 0.7 cm + 1 cm ≈ 3 cm. The allowance for the main part is less by the amount of the turning seam, i.e. ≈ 2.5 cm.
Place the yoke on the facing with the right sides facing inward and pin in several places; baste the yoke onto the facing, aligning the cuts, seating the yoke fabric at the outer corners, using 0.5 cm stitches; overstitch the yoke from the facing side 0.5 cm from the cuts. Cut off excess fabric in the corners, cut diagonally on the concave lines to the warp and weft, not reaching the stitching by 0.15 cm. Remove the basting, turn the parts inside out, sweep the seam from the facing side, straightening the corners and releasing the piping towards the facing by 0.1 -0.15 cm. Basting stitches are 0.5 cm apart from the edge by 0.5-0.7 cm; check the symmetry of the corners of the yoke, iron; baste the yoke onto the main part along the marked lines with stitches of 0.5-0.7 cm; stitch; overcast the cuts, remove the basting, iron.
5. Processing the side seams
Sew the right seam from top to bottom, the left seam from bottom to the fastener; remove the basting, trim the edges and overcast. Baste seam allowances for fastening along the marked lines with stitches of 0.7-1 cm; Press the side seams and press the fastener sections.
6. Processing the fastener with a zipper braid
In the center of the cut(Fig. 160)
Attach the open zipper to the cut so that the beginning of the links is 1-1.5 cm below the top cut of the skirt, the edges of the links coincide with the ironed sides of the cut; pin and baste along the front side of the back panel of the skirt; fasten the zipper and baste the other side so that the folds meet, closing the zipper. Adjust the zipper (preferably using a single-arm foot) with threads to match the color of the fabric. Hem the edges of the braid to the side seam allowances.
Offset relative to the cut(color plate XIV).
Release 0.2 cm from the seam allowance of the back panel to the front side from the reference line; sweep; baste the allowance of the front panel exactly along the line; iron the folds. Attach and baste the zipper tape so that the fold of the back panel does not reach the links by 0.1 cm; stitch 0.1-0.15 cm from the fold. The folded front panel of the skirt should cover the zipper and extend 0.2 cm onto the back panel. Stitch it from top to bottom 0.8-1.2 cm from the fold, and at the end secure it with a cross stitch twice. Hem the braid to the seam allowances.
7. Processing the belt with padding
Cut out the belt and padding; sew the lining onto the wrong side of the belt; Stitch the ends of the belt, cut off excess fabric and make cuts at a distance of 3 cm from the front end of the belt, not reaching the stitching by 0.1 cm. Turn the belt inside out, sweep out, iron, process the loop. Mark 1/4, 1/2 and 3/4 lengths on the waistband to attach to the top of the skirt.
8. Processing the upper section of the skirt
Divide the waistline of the skirt into 4 parts; Turn the skirt inside out, place the belt inside facing the front side of the skirt, aligning the cuts and dividing points on the belt. Baste the belt to the skirt 0.7-1 cm from the cut using 0.5 cm stitches. Make a fit of the skirt to the belt; baste hangers from soutache or braid to the wrong side of the skirt: the left hanger - on the front panel near the zipper braid, the right hanger - on the side seam. Sew the belt (only the upper part) and hangers; stitch along the belt. Remove the basting and bend the sections inside the waistband. Fold the inner section of the belt by 0.7-1 cm; baste it, placing the fold along the seam of the belt. From the wrong side, hem the belt with threads in the color of the fabric (3-4 stitches per 1 cm).
You can baste the belt from the wrong side so that its fold covers the seam by 0.2 cm; machine stitch on the front side of the skirt near the waistband seam.
Iron the skirt, sew a button on the belt. Process the bottom according to the model and fabric.
Technological sequence for making a skirt - page No. 1/1
T
Technological sequence for making a skirt
Preparing fabric for cutting (see above)
R
folding the pattern onto the fabric
R
askroy
P
laying out control lines and copy stitches
ABOUT PROCESSING THE SKIRT
Processing darts, Processing fasteners Processing the upper cut of folds, skirt and belt reliefs
Connecting the main parts of the skirt Connecting the belt to the skirt
Processing the bottom edge of the skirt, sewing on accessories
Final finishing of the product. Wet heat treatment
Laying out patterns on fabric
It is better to cut fabric on a large table
Fold the fabric in half, right sides inward, aligning the edges. To prevent the fabric from moving when cutting, you can pin it with needles inside the outline of the parts
First, lay out large parts on the fabric (front, back, sleeves), then small parts (cuffs, collars, belt, etc.). Achieve economical layout of patterns on fabric
To the fold of the fabric, place the parts that are given on the pattern in half size. After cutting you will have a solid piece
Layout of a straight skirt pattern on fabric 140cm wide without a seam on the back panel
Layout of a straight skirt pattern on fabric 140cm wide with a seam on the back panel
Layout of a wedge skirt pattern on fabric
Pattern layout for a one-seam conical skirt on fabric
Layout of a two-seam conical skirt pattern on fabric
R 
askroy
1. Pin the pattern pieces to the fabric with needles and begin chalking
2. First draw long lines, then short and oval ones. The lines should be straight. You can use rulers and patterns to trace the lines accurately and evenly.
3. Smooth, slippery fabrics (silk, chiffon, etc.) can warp when trimming and cutting. Be sure to pin them together. When tracing the contours of parts, do not press too hard on the soap.
4. After chalking the outline of the parts, mark on the fabric the location of the lines of the middle of the part, the half-skid line, the location of the first loop, pockets, darts, folds
5. Once again check the correctness of the layout and edging and only then proceed to cutting the fabric
6. After chalking the parts, mark the seam allowances
7. If you have little experience, are not a very good eye, and you are not sure that you can set the required amount of seam allowance by eye along the entire length of the cut, set aside the amount of seam allowance using a ruler or a special template that you can make from cardboard. Mark the seam allowance on the fabric with chalk or soap.
8. Cut the fabric strictly according to the seam allowances! Make no mistake!
9. Don’t forget that when cutting loose fabrics, the seam allowances need to be increased!
Laying reference lines and copy stitches
1. After cutting the parts, transfer all the contour lines to the symmetrical part. You can use a chalk board and a cutter. This is the most convenient way. You can also transfer the lines using copy stitches and then move the pieces apart and cut between the pieces
2. On the cut out parts, manually stitch along the lines of the middle front and middle back, lines of the chest, waist, hips, pocket locations
3. Mark the location of control points (middle of the neckline, middle of the collar, control cut at the top of the collar for sewing the sleeve into the armhole) using cuts on the seam allowance
Processing darts, folds, reliefs
Processing darts
Darts allow you to bring the shape of clothing closer to the shape of the human figure. Darts are processed in the following sequence.
The part is folded with the front side inward along the center line of the dart, swept along the side lines from the end to the cuts, and then ground down, starting from the cut of the part and ending at the line of the end of the dart (Fig. a).
After sewing, the basting threads are removed. The stitching threads are carefully tied, threaded into a needle and tucked into the fold of the dart.
The dart is ironed towards the middle of the part. The weakness of the fabric at the ends of the darts is ironed (Fig. b, c).
Processing a one-sided fold
Processing of folds depends on their type. Folds can be one-sided, counter, byte, stitched along the entire length, straight (tucks) and complex.
Each fold is marked with three lines: the middle (inner fold line), the side (outer fold line) and the line defining the end of the stitching. The depth of the fold depends on the model and ranges from 2 to 8 cm. When cutting parts with folds, you should take into account an allowance equal to twice the depth of the fold.
Before trying on, the folds are swept away. The part is folded along the marked center line with the front side inward, swept away and ground along the side line. The stitching line of the fold is finished in the transverse direction along a straight or oval line using a machine tack. Iron the fold from the wrong side of the product.
Clasp processing
Finishing the fastener with a zipper in the side seam
Processing the fastener with a zipper in the middle of the panel
Processing the top section of the skirt and belt
Duplicating the skirt belt
a - adhesive tape for the belt;
b - cutting out the adhesive pad into the belt;
c - placing adhesive tape on the belt part;
d - connection of the adhesive pad with the belt
Processing the skirt belt
a - turning the ends of the skirt belt;
b - belt processing
Basting and stitching the finished belt to the top section of the skirt
1 - middle of the front panel;
2 - side seam;
3 - middle of the rear panel
Based on the technical drawing, technical description and selected textile materials, as well as methods for processing the main components, a technological sequence for processing a model of a women's skirt has been compiled. The technological sequence of processing is presented in Table 2.
Table 2 – Technological sequence for making a skirt
| No. | content of indivisible operations |
| Procurement section | |
| Checking the availability of skirt cut details according to the route sheet | |
| Duplicating skirt parts | |
| Duplicating the inner part of the belt | |
| Duplicating the hem allowance for the bottom of the front panel of the skirt | |
| Duplicating the hem allowance and the allowance in the area of the fastener of the back panel of the skirt | |
| Belt processing | |
| Turning the outer edge and ends of the belt | |
| Notching the corners of the belt | |
| Turning the belt right side out, straightening the corners | |
| Ironing the belt while straightening the edge along the outer edge and ends of the belt | |
| Processing the front panel of the skirt | |
| Stitching the relief sections of the front panel of the skirt | |
| Overlocking the seam allowance | |
| Ironing darts | |
| Processing the back panel of the skirt | |
| Sewing the darts of the back panel of the skirt | |
| Ironing darts | |
| Stitching the middle cut to the notch for the zipper fastener | |
| Overcasting middle seam allowances | |
| Ironing the middle seam allowance | |
| Attaching the zipper tape to the middle seam allowance of the left half of the back panel of the skirt | |
| Attaching the zipper tape to the middle seam allowance of the right half of the back panel of the skirt | |
| Ironing fastener allowances | |
| Adding a finishing stitch to the edge of the fastener | |
| Ironing the middle seam of the skirt | |
| Processing the skirt lining | |
| Stitching the front and back panels of the skirt along the side sections | |
| Overcasting side seam allowances | |
| Ironing the side seam allowance of the skirt | |
| Stitching the middle section of the back panel of the skirt to the notch for the fastener | |
| Overlocking the seam allowance | |
| Pressing the seam allowance | |
| Drawing a hem line for the bottom of the lining | |
| End of table 2 | |
| Trimming irregularities | |
| Seaming the hem allowance for the bottom of the skirt lining with a closed hem seam | |
| Ironing the skirt lining | |
| Mounting section | |
| Stitching the side seams of the skirt | |
| Serging the side seam allowances of the skirt | |
| Ironing seam allowances | |
| Pin the side seams of the skirt, check the symmetry of the darts. Drawing the waistline and hem of the skirt. Trim off any bumps. | |
| Stitching the lining along the waist line while simultaneously placing folds along the notches in the area of the front and back darts | |
| Sewing the outer part of the belt to the waist line while simultaneously inserting a hanger along the side seams | |
| Ironing the waistband seam | |
| Adding a finishing stitch along the inside of the waistband while simultaneously folding the cut inward into the seam and sewing the outer waistband | |
| Ironing the belt | |
| Marking the location of the belt loop | |
| Buttonhole sewing | |
| Serging the hem allowance for the bottom of the skirt | |
| Hemming the hem allowance | |
| Ironing the bottom of the skirt | |
| Finishing section | |
| Cleaning the product from industrial debris, removing chalk lines | |
| Ironing the belt | |
| Ironing the back panel of the skirt | |
| Ironing the front panel of the skirt | |
| Marking the location of the button on the belt | |
| Sewing on a button |
Conclusion
According to the assignment of the test, a model of a women's skirt was developed that meets modern fashion trends. A technical drawing was completed with accurate black and white graphic reproduction of the main lines. The technical description corresponds to the construction lines and technological seams.
The choice of materials is justified taking into account all the requirements for the product and materials that make up the package for a women's skirt intended for spring-autumn wear. The main material proposed is suit wool blend fabric. The lining material is matched to the color of the main material. Hot-melt adhesive cushioning material with an adhesive dot coating was used as a cushioning material, allowing the skirt to maintain the shape of the waistband during use. The confection card shows samples of the materials that make up the package.
Technological processing of the main components of the skirt reflects the latest developments in the field of technology, based on the technical drawing, technical description, a technological sequence for processing the model of a women's skirt has been compiled.
Bibliography
1. Materials science in the production of light industry products / Buzov B.A., Alymenkova N.D. Textbook for students. higher textbook establishments. – M.: Publishing Center “Academy”, 2004. –448 p.
2. Operational machine-automated technology of clothing / P.P. Koketkin. - Smolensk, 2003. - 232 p.
3. Classification and range of materials used for the manufacture of clothing. Determination of the nomenclature of their quality indicators: method. decree. to the lab. work / Kazan. state technol. University, Institute of Light Industry Technologies, Fashion and Design; comp. L.G. Khisamieva, E.R. Khairullina. - Kazan: Publishing house KSTU, 2005. - 19 p.
4. Technology of sewing products. / Savostitsky A.V., Melikov E.Kh. Textbook - 2nd ed. reworked and additional, - M.: Light and food industry, 1982. - 440 p.
5. Illustrated manual on the technology of lightweight clothing / A.T. Trukhanova. – M.: Higher School, 2000. – 176 p.
6. Fundamentals of sewing production technology / A.T. Trukhanova. – M.: Higher School, 2001. – 336 p.
7. Tailoring products for individual orders / Textbook M.: IRPO: Publishing house. Center "Academy", 2002. – 528 p.
Project folder
Theme:Skirt
Gymnasium No. 40
Ekaterinburg, 2009
Introduction
1. General characteristics of the product
3. Equipment selection
4. History of the skirt
5 Styles and trends in fashion
6. Materials and their properties in accordance with and purpose of the shape of the skirt
7. Color and personality
8. Technological sequence for making a skirt
9 Safety precautions when working with fabric
10. Results of work
Bibliography
Applications
Introduction
Working with fabric, making clothes, doing work with your own hands is one of the means of self-expression that develops creative thinking, which makes it possible to realize your ideas in the manufacture of a specific garment.
The purpose of this work is to develop and implement a project for independently sewing a skirt under the guidance of a teacher. As well as the formation of such qualities as the ability to independently solve creative and technological problems, make informed decisions, apply and use acquired skills, knowledge, skills and information in practice in later life.
The task is to generalize the theoretical knowledge, skills and abilities acquired in the Technology lessons to create a garment (skirt).
The process of manufacturing garments on an industrial scale involves many people of various professions: fashion designer, designer, technologist, sewing equipment operator, clothing demonstrator. These professionals invest a piece of themselves, their individuality, for the people who will wear the things they create. During the lessons there is an opportunity to combine the work of various professions and bring your ideas to life.
To make any garment, certain steps are used. Firstly, this is drawing up a sketch, secondly, cutting out the product, thirdly, completing the tailoring of the product, taking into account the available material and the characteristics of the figure according to an individual plan. At the same time, strict adherence to this scheme: sketch - drawing - design - technology - finished product, helps to obtain practical skills for independently sewing a product - from an idea to a finished product.
1. General characteristics of the product
Skirt (French jupe) is a piece of clothing that covers the lower part of the body. Evolved from a loincloth.
There are many different types of skirts that fall into different styles. These are skirts such as: straight skirt, wedge skirt (Appendix 1); skirt with pleats, skirt with yoke (Appendix 2); gode skirt; half-sun skirt (Appendix 3), etc.
My model is a straight skirt that fits the hips, with darts along the waistline, without a belt. The skirt consists of several identical wedges that widen downward. With an odd number of wedges, the seam with the fastener is located at the back, in the middle of the back, and the slot is processed at the bottom. The bottom of the product is stitched on a sewing machine. A sketch of the model is presented in Appendix 1.
2. Design and modeling
Design is the construction of a drawing of a product pattern. My skirt model consists of three wedge panels. The width of the skirt is calculated based on the circumference of the hips. To draw a drawing of the base of such a skirt, the following measurements are needed:
St (half waist circumference);
Sat (half hip circumference);
Di (product length).
A three-piece skirt can be of different lengths (from mini to maxi, but I chose a medium length - just above the knees) and is made from denser fabrics (for example: gabardine). When calculating the amount of fabric, you need to add 10 cm to the length of the skirt (Di) for processing the upper and lower sections and leveling the cross section. For example: with a fabric width of 140 cm, the length of the skirt will be equal to Di + 10 cm; With fabric width< 140 см. длина пошива юбки будет равна (Ди + 10 см.) х 2
Modeling is the process of changing a pattern drawing in accordance with the selected model. The term "modeling" comes from the word "model", that is, a sample created by artists, fashion designers and designers. Drawing of the base of the skirt (Appendix 4).
3. Equipment selection
In the cutting process I needed: scissors; chalk or soap with a thin edge; tape measure; tailor's pins; cutter's ruler. In the process of basting I needed: chalk; cutter; tracing paper; tailor's pins; basting needle; scissors; threads In the sewing process I needed: a sewing machine; scissors; ripper; chalk; scissors.
4. History of the skirt
Skirts have been known since the dawn of mankind and were worn by both women and men.
In the southern regions, men wore loincloths, skirts and aprons made of palm leaves. The main clothing of the ancient Egyptians was the shenti apron, which consisted of a strip of fabric wrapped around the hips and secured at the waist with a cord. The shenti of commoners and pharaohs differed only in the quality of the fabric; their style remained unchanged. The Assyrians wore a shirt-skirt made of wool, cotton or linen, called a kandi. By the length of this type of clothing one could determine the degree of nobility of its owner. The so-called Gothic skirt appeared in the form of purely women's clothing only in the 15th century. It was from this time that a bodice with side lacing began to be worn separately from the skirt itself in the modern sense. In the 16th century, wealthy women dressed in massive, heavy clothes, which were made from cloth, expensive brocade and velvet fabrics. In the last third of this century, hoops appeared, encircling the waist like a flat wheel. This was achieved by putting a quilted roller under the skirt and a cutter assembled from the fabric of the dress, located at the waist. In the 17th century, women wore twirls - a special kind of “cooper” hoops around the waist. In the 18th century, predominantly smooth skirts with a large number of decorations appeared: frills, flower garlands, lace, draperies. Until the 40s of the 19th century, the skirt was cut from 3 or 5 panels. It stretches at the front and gathers slightly at the sides. The side seams are beveled and go to the back. In the middle of the 19th century, skirts with crinolines appeared, decorated with flounces and teeth, embroidered with braid, galloon and lace. In its second half, the crinoline is replaced by a petticoat with frills and a bustle pillow. At the end of the last century, women were pulled into a corset up to the hips, and the waist smoothly transitions from behind into a draped train, so part of the skirt lies on the floor. At the beginning of the 20th century, with the advent of the “modern” silhouette, the skirt was cut flared at the back with an elongated front. In the 20s, skirts again rose to the knee. Nowadays, various forms of skirts are typical: straight and widened at the bottom, wide and narrow, pleated, wedged, short and long trouser skirts and others.
5. Styles and trends in fashion
In the 70s, fundamental changes occurred in the nature of mass fashion. When determining the fashionability of clothes, they began to talk not only about styles, lengths, but also style. The features of each style are created by the cut, shape, fabric finishing, set of clothing items, as well as various additions, jewelry and cosmetics. Currently the main styles are:
Classical;
Youth;
Sports;
Denim;
Folklore;
My style is classic. It suits my inner state the most. There are things in fashion that, despite all the changes in tastes, preferences, and attachments, remain to a certain extent unchanged. The general opinion recognizes them as excellent, exemplary, exemplary. The proportions of classic style clothing correspond to the natural proportions of the human figure, the lines of shapes and details are simple and laconic.
6. Materials and their properties in accordance with the style of the skirt
I thought through the color scheme of the skirt, choosing black - the color of refined taste, which at all times is at the top of fashion, hiding figure flaws. The beginning of the image is the color, and the beginning of the style is the fabric. It is necessary to take into account the properties of each type of fabric:
Cotton fabrics have a high shrinkage when soaked, which is their main disadvantage. Cotton fabrics are beautiful, iron well, have little fraying and are relatively durable;
Linen fabrics shrink when soaked, wash well, stretch little, crumble, and are difficult to iron, which is the main disadvantage. Relatively durable. They look very nice and neat;
Woolen fabrics wrinkle a little, shrink a lot when soaked, are difficult to iron, and retain their shape well after ironing;
Viscose fabrics are beautiful, high-quality, and shrink when soaked; the structure of these fabrics is very flexible, which makes working with them difficult;
Synthetic fabrics have almost no shrinkage, are durable and elastic.
However, these fabrics react differently to high temperatures and require caution when ironing. My choice is gabardine fabric. Fabric properties: gabardine is a fabric made from the highest grades of carding yarn. The weave is diagonal.
7. Color and personality
Color plays a huge role in human life. It has a deep emotional impact on a person and is a means of expressiveness in the composition of clothing. Colors are divided into two groups: chromatic and achromatic. Chromatic colors are divided into warm and cold. Warm tones include colors associated with ideas about fire, the sun - red, orange, yellow. Cold tones include colors associated with the feeling of coolness, snow and ice - blue, cyan, violet. I like the black color, which is what I chose. Black color is universal, it goes with almost all colors and a skirt of this color can be combined with any color scheme in clothing. Black color is the color of intuition. Nothing should interfere - complete concentration, purity and spirituality, inspiration, wisdom. For the Japanese, black is the color of joy. Notice how expressive the face of a man in a black robe becomes. Like a picture in a frame, especially the eyes are the mirror of the soul. Contrasts with this color are very effective. In both white and black, you can rejoice and grieve, and it will be natural. Contrasts in clothing, contrasts in life - they allow you to develop a person’s intuition and spiritual qualities.
8. Technological sequence for making a skirt
1. Model development. Sketch.
2. Taking measurements.
3. Constructing a drawing of the base of the skirt.
4. Modeling the base drawing.
5. Preparing the pattern for cutting.
6. Preparing fabric for cutting:
Ironing fabric;
Lay out the patterns on the fabric;
Make shallow patterns;
Set aside seam allowances;
Make a cut.
7. Preparing the product for fitting:
Laying control stitches;
Basting darts;
Basting the middle seam of the back panel of the skirt;
Basting side seams;
Baste the bottom of the product.
8. Carrying out the first fitting:
Elimination of defects;
Mark the length of the product.
9. Processing of the product after fitting on a sewing machine:
Stitching darts;
Stitching side seams;
Processing cuts with a zigzag stitch;
Sewing a zipper into the middle seam of the back panel of the skirt;
Stitching the middle seam of the back panel of the skirt;
Processing the vents in the middle seam of the back panel of the skirt.
10. Processing the bottom edge of the skirt:
Finish the cut with a zigzag stitch;
Sweep and finish the bottom of the product.
13. Evaluation of the finished product.
14. Self-control.
9. Safety precautions when working with fabric
To avoid any accidents during work, you must follow safety rules when working with fabric.
1. Safety requirements before starting work:
Put on overalls, tuck your hair under a headscarf;
Check for rusty needles and pins;
Prepare the workplace for work, remove everything unnecessary;
Make sure that the protective grounding of the body of the electric sewing machine is present and in good condition, and that there is a dielectric mat on the floor near the machine.
2. Safety requirements during operation:
Store needles and pins in a certain place, do not leave them at the workplace;
Do not use rusty needles and pins when working, do not put needles and pins in your mouth;
When working with needles, use a thimble;
Attach patterns and fabrics with the sharp ends of pins in the direction away from you;
Store the scissors in a certain place, place them with their closed ends facing away from you, pass them to each other with the rings forward;
Do not lean close to moving parts of the sewing machine;
Do not hold your fingers near the sewing machine foot to avoid getting pierced by the needle;
Before sewing a product on a sewing machine, make sure there are no pins or needles on the seam line;
Do not bite off the thread with your teeth, but cut it with scissors;
Only one person at a time should work at the machine.
Safety rules when working with an electric iron:
1. Check the serviceability of the plug and insulation of the electrical cord of the iron;
2. Make sure there is a heat-resistant iron stand and a dielectric mat on the floor near the ironing area;
3. Before plugging in the electric iron, stand on a dielectric mat;
4. Turn the electric iron on and off only with dry hands;
5. During short breaks in operation, place the electric iron on a thermally insulating stand;
6. When working, make sure that the hot sole of the iron does not touch the electrical cord;
7. To avoid burning your hands, do not touch the hot metal parts of the iron and do not wet the material with water;
8. To avoid fire, do not leave an electric iron plugged in unattended;
9. Monitor the normal operation of the iron, do not let it overheat;
10. After working with the iron, unplug the cord.
10. Results of work
Need. I made this skirt to wear it at any time of the year, to wear it on holidays. Since my skirt is a classic style, it is comfortable for outdoor activities and various types of work. This skirt is multifunctional.
Self-esteem and economic calculation. I think I did my job quite carefully, and most importantly, I like it. Although it took more time than expected, I am not upset, since I remembered all the stages of the work that I performed very well. And to evaluate, as it seems, the people around you should not, because from the outside you can see all the shortcomings better. I like the result. Because I sewed the skirt myself, no one will have one like it.
Difficulties. Sewing this skirt was more of a pleasure than a task for me, although I had some difficulties in sewing the product. The most difficult part was chalking and sewing the zipper, since this work is completely new to me.
I saw a similar skirt in stores for 460 rubles, my version is more profitable, since I made everything with my own hands. Thus, I saved 305 rubles, and with the remaining amount I have the opportunity to sew 2 more skirts.
In general, I got what I wanted. Now, thanks to my knowledge, I can remake my wardrobe into the best one, according to my taste. If you wear what you like, what is comfortable, then you will feel comfortable and confident, and this is important for every person!
Literature
Glozman E.S., Stavrova O.B. and others, ed. Khotuntseva Yu.L. Technology. Technical labor. – Mnemoznina, 2004
Sasova I.A., Marchenko A.V. Technology: grades 5-8: Program. – M.: Ventana-Graf, 2006. – 96 p.
Simonenko V.D. Technology for grades 6, 7. - Publishing Center, 2007
Technology: Textbook for 6th grade students of secondary schools / ed. V. D. Simonenko. – M.: Ventana-Graf, 2003
Chernyakova V.N. Fabric processing technology: A textbook for general education grades 6-9. institutions. - M.: Education, 2004
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Women's skirt of a straight silhouette, classic style, to the middle of the knee, with a stitched belt, with a vent in the middle seam of the back panel, with a hidden zipper in the middle seam of the back panel and 1 button and an overcast loop on the belt. There are waist darts on the front and back panels, and tucks on the lining. Lining to match the main fabric. There are 2 hanger holders sewn into the belt. On each panel and on the back panel, on the left side of the middle cut at a distance of 5 cm from the side cut, a label with care symbols is sewn in. The lining is 4 cm shorter than the main fabric. The bottom is overcast and finished with a hem seam with an open cut.
Development of technical specifications for skirt manufacturing
Processing side cuts. The stitching width is 0.7-1.0 cm; depending on the fabric, the seam will be pressed or unironed.
Processing darts. The darts are stitched, with a tack at the end of the line of 1.0-1.5 cm and a frequency of 3-4 stitches, ironed to the center of the panel.
Processing the middle cut of the rear panel. Duplicating the shoulder of the vent with a width of 4.5 cm and a height of 5 cm, laying a stitch below the corner of the vent by 3 cm and also by 3 cm above. Depending on the type of fabric, the area for attaching the zipper is duplicated with a strip of 1.5 cm. Overcasting the cuts, ironing and forming the zone attaching the zipper. Attaching the zipper. Making fastenings at the ends of the zipper. Laying technical stitching along the ledges of the slots at a distance of 1 cm from the cut of the ledge. Preparing the lining. Stitching the middle section of the back panel with preliminary overcasting of each section. The seam is ironed and the seam allowances of the section are sewn down with a line of 0.5 cm. Overcasting the side sections separately, stitching and ironing the seam allowances, and the lower section is sewn down at a distance of 8 cm from the bottom. Stitch the area with a 0.5 cm stitch, then fold the bottom of the lining 1 cm and stitch it into a hem with a closed cut. On the back panel of the lining, the location of a piece of the main fabric (17 cm) is marked. Along the upper edge of the lining, tucks are placed on the sides of the front and back panels, fastening them with a tack.
Belt processing. Duplicating 2 belt parts. Stitching along the top edge, stitch width 0.7 cm. Ironing seam allowances, laying technical stitching from the side of the bottom part at a distance of 0.1-0.2 cm. Edging the outer cut of the inner part of the belt, turning the corners of the belt 0.5 cm wide. Carving excess, turning and ironing. The hanger holders and the label are adjusted along the notches. The parts are folded with the front side facing inward. Stitching with temporary stitching, matching darts, side seams. With the right side inward, the outer part of the belt is sewn to the skirt, and the seam allowances are pressed to the top. Folding the waistband inward, placing a technical stitch along the seam attaching the waistband to the skirt, while simultaneously fastening the back part of the waistband. Ironing. Marking the location of the loop and button. Making a loop and sewing on a button. Overcast the bottom line, fold, hem.
Description of the material package
Development of technical sequence
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Number and name of technological indivisible operations |
Speciality |
Graphic image |
Equipment |
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1. Sewing the skirt parts along the side sections |
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2. Stitching the skirt along the side sections |
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3. Ironing seams |
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4. Stitching darts |
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5. Ironing darts |
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6. Sewing the back halves of the skirt along the middle section |
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7. Stitching the back halves of the skirt along the middle section, leaving room for the zipper |
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8. Ironing seams |
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9. Attaching a hidden zipper with making a bartack. |
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10. Overcasting the lining along the side sections and the middle section. |
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11. Stitching the lining along the side edges and then ironing the seams |
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12. Stitch the lining along the middle edge, leaving room for unzipping the zipper. |
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13. Stitching the allowances of the area for unzipping the zipper |
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14. Stitching the bottom of the skirt lining |
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15. Stitching the front edge of the waistband to the top edges of the skirt |
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16. Stitching the inner edge of the waistband to the top edge of the skirt lining, securing the hanger holders |
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17. Sewing a label to the inside of the belt |
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18. Sew a finishing stitch, securing the belt |
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19. Making a loop |
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20. Sewing on a button |
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21. Stitching seam allowances for the lining and top of the skirt along the vent |
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22. Serging the bottom edge of the skirt. |
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23. Hemming the bottom of the skirt |
