Technique "lyapochika" - an unusual way of patchwork. Modern patchwork technique in the interior

TOTAL

Hello dear readers! We will devote today's post to a review of an unusual way patchwork- This is a trick technique. Thrifty needlewomen are delighted with the special technique of patchwork - the slippery, which gives a "second life" old clothes. Colored shreds, placed on the canvas as conceived by the needlewoman, make up bright patterns. Strive to arrange an apartment in rustic style, fill it with comfort with the help of handmade decor items? The Lyapochikh technique will come in handy here.

How the Lypochikha technique arose

The technique of patchwork sewing "lyapochika" originated in peasant times, when every woman had to deftly sheathe the whole family from her own woven fabric. It was believed that worn clothes should not be thrown away, otherwise the family would lose favor. higher powers and will be doomed to poverty. Craftswomen tried to save every piece of fabric and use it to decorate the house. Gained particular popularity patchwork quilts and "fluffy" rugs created from colored scraps of old clothes.

Origin of the term

The term "lyapochika" has its roots in the northern peoples. Translated from German language the designation "der Lappen" means "a piece of cloth, a piece of rag." The inhabitants of the hinterlands of northern Russia still, speaking of small pieces of fabric, use the words: "blooper", "blooper", "blooper".

Distribution of technology

A surge in popularity of the lyapochykha sewing technique received in the first half of the 20th century, when the population was experiencing severe economic crises ( Civil War, dispossession, World War II). Textiles were expensive - following the example of their ancestors, household girls tried to use every piece of bright fabric to decorate the house. In the villages, carpets and blankets made using the Lyapochikh technique were common. And city craftswomen got the hang of decorating lampshades, sofa cushions, handbags, dresses and even hats in this style!

Modern needlewomen use various decorative elements to create objects in the Lyapochikh style:

  • Colored patches of knitted fabrics.
  • Remains of yarn and dyed wool.
  • Multi-colored ribbons, lace.

Beginners create ordinary rugs with a chaotic change in colors and sizes of shreds. Experienced craftswomen able to create complex ornaments and whole patchwork paintings. What used to be considered folk craft is now the latest trend decorative design city ​​pictures.

Lyapochikh technique - patchwork decoration

Golden pens from any piece of rag can create a work of art. The essence of the lyapochikh technique consists in sewing finely cut pieces of fabric onto a solid foundation. Any strong fabric is used as a basis. Since its entire surface will be closed during processing, the old one is often used as a basis. outerwear, and even fabric bags!

Easy option

by the most simple view"Footballs" is the sewing of strips of fabric in rows. Each piece of fabric is stitched strictly in the middle, then its edges are “curved” and create the desired volume. The larger the patches, the more magnificent the product will be. Craftswomen who appreciate the aesthetic qualities of the future thing tend to sew it from shreds of the same size and shape. For this, rectangular pieces are prepared, which are sewn on according to the “butterfly” principle - an inconspicuous seam in the middle, and the edges are in free floating. The rows are placed very tightly so that the fabric "bulges" and keeps its shape.

Patterns in the style of "faggot"

To create a pattern or a picture in the style of "fool" is a rather painstaking task. Initially, markings are applied to the fabric - along the color lines. Then the shreds are fixed according to the principle "from the center to the edges." Basic colors are fixed in the middle, then the remaining rows are fixed around them. This type of needlewomen is called "by marking". It is worth starting with the placement of colored shreds on geometric shapes - squares, circles, rectangles. Appearance products largely depend on the ability of the craftswoman to correctly combine different colors.

Difficult option

The most sophisticated and complex is the combination of weaving / weaving with "goofy". The needlewoman needs to prepare shreds of the desired color and size in advance. During weaving, they are fixed in certain places, weaving into the warp threads. This option allows you to create three-dimensional patterns on a homespun product. The texture of the fabric becomes heterogeneous and very elegant.

The future of the lyapochikh technique

It’s quite easy to master the “lyapochikh” technique - there would be time, patience and a sewing machine. However, you can also sew a small product in this style by hand. You will only need shreds of any non-shrinking fabric (preferably knitted), threads and fabric for the base. Technology allows you to release women's wardrobe from outdated clothes, which means it will be relevant at all times!

work of Alevtina Vasilievna Shevaldina

Tatyana Kiryushatova

"Lyapochika"- the most interesting patchwork technique. More of her called: “blunderbuss", “glimpse”, “blooper”, “noodles”. For making rugs and pillows in this technique most often used knitted fabrics because they don't crumble.

Knitwear is cut into small stripes, squares, rectangles, which are attached in rows to fabric basis. alternating knitted elements different color you can get amazing patterns.

On the Internet, I saw landscape paintings made in this technique.

Admiring creativity craftswomen-needlewomen, as a preschool teacher, I began to think about how to adapt technology"blunderbuss"for their preschool children. And then, to the joy of the Internet, I found interesting idea and the five-year-old niece arrived just in time.

Are we going to be creative today? she asked from the doorway.

We will! I answered. - Today we will create rug in technology"blunderbuss".

For the nursery" slippers"We needed a net, which is sold in stores for gardeners and gardeners. And we also used old knitted T-shirts, which we tore into ribbons about 15 cm long, 1.5-2 cm wide.

Do not need anything else! Only perseverance, the desire to create and the ability to tie bows.

We tie a ribbon to each side of the cell and tie it into a bow. This is all very simple for an adult, but not at all easy for a preschooler. Nevertheless, if you start, then it’s not so easy to stop, you want to finish as soon as possible.

The process continues:



Our little rug we worked with Arinka together. This activity took us over three hours. True, there were breaks for tea and the Golden Khokhloma dance, which Arinka learned in kindergarten.


Ready rug we really liked it. Arinka said that she would give it to her doll Nastenka. And when dad came for Arinka, she began to give him tasks:

You need to go to a gardening store, buy a net there, cut it into squares. You also need to find a lot of old T-shirts and tear them into stripes. All this must be taken to kindergarten.

For what? - we were surprised.

All children need to be taught"blunderbuss".

And why not teach? "Children's blunderbuss"is a great way to develop fine motor skills, perseverance and patience.

Looking at photos of luxurious patchwork works, you can see how the master does the jewelry work. Yes, it’s worth saying right away that patchwork is needlework for the patient, aimed at the result in the future. Today in any "city of masters" patchwork rugs, blankets and other interior items are sold out quickly, and the video, where the master demonstrates the secrets of technology, is gaining hundreds of views.

Patchwork tablecloth - fashion item, the idea of ​​which is exploited in more than one designer collection. Why overpay if you can make such a thing yourself from the remaining shreds. Get inspired by photo, find necessary schemes(and the schemes may not be needed at all, since the idea is simple), or find a video master class.

You will need:

  • Scraps of fabric for the main part;
  • Lining fabric;
  • Sewing machine;
  • Threads;
  • Scissors;
  • Templates.

First, you measure the size of the table, after which it will be clear how much fabric you need. Then you make templates - paper squares 20 by 20 cm. It is this size that is optional, it can be more, it can be less. But let's still accept the conditional 20 by 20 cm. You cut the squares from different shreds or cuts of fabric.

Then you act like this:

  • The edges of the cut parts must be processed so that the threads do not sprinkle;
  • Fold the squares in any shape, cleave with pins;
  • Sew them into a canvas, then iron the seams;
  • The tablecloth, or rather, its front part is almost ready - it remains only to sew on the border.

After sewing on the border, the product must be ironed again. Then you take the lining fabric, put the resulting canvas of squares on it. The lining is connected to the canvas with pins, the excess fabric is cut off, the edge of the edging strip is folded over by 2 cm. Everything is sewn together and ironed again.

As for the number of fragments in this tablecloth, of course, there can be a lot of them so that they literally do not repeat. But such a bright patchwork can become a product, as they say, "on the occasion." It will be too colorful thing, which should always be in harmony with the interior. And the interior, if it mainly does not consist of such handicraft things, may not “make friends” with such a tablecloth. But! If the shreds are not bright, but delicate flowers or in pastel colors, it changes the situation.

How to sew a decorative fabric from shreds (video)

Patchwork: Lyapochikh technique

Lyapochykha is a technology of patchwork, which everyone is probably familiar with in one way or another. At least if you saw grandmother's fleecy rugs made of colorful shreds. Of course, such technology was created not from a rich imagination and a desire to surprise, but from poverty. Moreover, from the wise peasant position: it was believed that it was impossible to throw away worn clothes, in this case, the favor of higher powers would not be seen by the family. And poverty, as a punishment, will follow such neglect of old clothes.

So women literally used every shred, and how they used it! Not rugs, but pictures came out from under them skillful hands, although then, of course, no one called it all modern word"patchwork".

Fleecy patchwork rugs from the times of our great-grandmothers have migrated to today. Lyapochika is not just a tribute to traditions, but a technology that can create beautiful and cozy interior things.

Features of the Lypochiha technique:

  • Eat simple technology - the strips are simply sewn in rows. Each patch is sewn in the middle, its edges are bent, creating the desired volume. The splendor of the thing depends on the size of the shreds. Well, if the shreds are the same size, then they will be sewn with the “butterfly” type (an inconspicuous seam in the middle). The rows are made dense so that the fabric keeps its shape well.
  • The complex technique is that the little slippery is combined with weaving. During weaving, the shreds will be fixed in certain places. That is, it will be possible to create three-dimensional patterns on the product.
  • Patterns in the slippery you can create, but this task requires certain skills. If you have the opportunity to watch a photo or video of master classes, it’s better to do so. And here's why it's difficult: markings are applied to the fabric along the color lines. Then the shreds are fixed, the schemes will be like this - from the center to the edges. The base colors will be in the center and the rest around them.

In all cases, the master must understand that such sewing has the most important feature, and it depends only on the needlewoman herself. This is a clever combination of colors. It determines the final look of the work, whether the product will be artistic. Look at the photos of works in this technique, evaluate the most successful ones, do not expect a quick understanding of all the basics of the technique.

Just trying yourself in the patchwork technique, always carefully study both the patterns and patterns. If you don’t know where to start and where to move, as a basis suitable program mug "Patchwork technique". Why a program, and even a mug? Yes, because there is a base, there is a clear sequence of classes according to the principle of complication, there are the same schemes and patterns.

The program involves an explanation of the basics, gives methodological references. That is, you will understand which video to watch, which master classes to pay attention to. And the program coordinates your independent work.

Patchwork chenille techniques

The front part of the chenille is colored stripes neatly sewn onto some kind of base. But this is not traditional sewing. The differences between chenille are fundamental. Initially, large pieces of fabric with the help of special techniques turn into even stripes, and outwardly look like a pile.

It is believed that chenille is just a saving technique. What only problematic corners it will not fix. For example, rips on jeans. If the chenille is ruffled with a sufficiently stiff plastic brush, you get the effect of a large ribbed velveteen.

The chenille blank consists of three parts:

  • Base or bottom layer;
  • Middle layer - several layers of fabric for a volumetric effect and warming things;
  • Top layer, decorative.

If we talk about chenille technology, at first glance it is very complicated, but in fact it’s just painstaking work. It is important to assemble the chenille blank correctly. To do this, lay the main layer face up on the surface, then, one by one, the fillers. A decorative layer of chenille, laid face up, will complete the workpiece.

Chenille technique: master class (video)

Patchwork in watercolor technique

Watercolor is a popular technique that is based on the same squares. Of course, not every master will take up watercolor, as this story, to put it mildly, is long-lasting. But the result is incredible - in any photo you can see that the watercolor product fully justifies its name.

To choose the right fabric for watercolor, you need:

  • To harmonize the color and pattern of the fabric;
  • Drawings on the fabric should not be large and discreet;
  • Floral prints are the most preferred;
  • The transition of shades - from light to dark.

This is the finest, painstaking work. Watch at least a couple of videos: how the master selects fabrics, how he combines them. Here it is easier to miscalculate with the color of patches and print than anywhere else. Master classes will help you navigate the tricks of such a technique as watercolor. Diagrams are also very important, as patterns in work with the smallest details.

A watercolor blanket can take a year or more, but the work is worth it.

Patchwork technique

And some more concepts that are invariably associated with patchwork can often be encountered by a beginner needlewoman. Again, the program circle work will help you understand where to start, understand the basic terms of patchwork, send you to certain master classes.

The most important concepts of patchwork:

  • Well. At the heart of the "well" technique is a simple geometric figure square. The square is made up of stripes. Only since it's a well, the strips are called logs. You can collect strips-logs in a well in different ways.
  • Stained glass. A more common name is Australian stained glass. Stained glass can be made both manually and on sewing machine. To get a real stained glass window, or rather, the effect of a stained glass window, the drawings in this technique must have clear boundaries. Usually stained glass in patchwork is created by dark or black stripes of slanting inlays. Stained glass is a graphic patchwork.
  • Yo-yo. This is the name of not only the technique, but also the assembly unit in this technique, which resembles a dumpling. Both patterns and diagrams are quite simple.
  • Pizza. The pizza technique allows you to use the smallest shreds. The pizza thing also has three layers. Pizza on top is covered with a layer of any transparent fabric, such as organza or tulle. The layers are machine stitched. But pizza, of course, is not a self-sufficient product, but a part of some thing. For example, pizza can form the basis of a handbag. Although pizza napkins can also decorate the table in the living room. Those who love accelerated actions, and work where not everything is strict, but there are corners and all sorts of chaos, will especially like this kind of sewing.

It is worth mentioning the corners. This volumetric technique. Corners seem to enliven the product. Usually corners are used in the manufacture of panels, pot holders, rugs. Corners can also edging blankets. The patches are not sewn together, the corners allow them to be turned over to the base. And the corners can be invested in each other.

Patchwork technique in the interior (video)

Patchwork is the whole world, which has its own complexity classes, and schemes, and a number of author's works that can be peeped on the video. There are accelerated courses (including videos) that allow you to quickly get to know the patchwork. Whichever path you choose, don't expect results to be faster. This is a job for diligent, focused on the future.

Patchwork technique (photo)

Modern patchwork technique in the interior

If your interest is still worth warming up, just see what possibilities the patchwork technique opens up. Looking at photos of luxurious patchwork works, you can see how the master does the jewelry work. Yes, it’s worth saying right away that patchwork is needlework for the patient, aimed at the result in the future. Today, in any "city of craftsmen", patchwork rugs, blankets and other interior items are sold out quickly, and the video, where the master demonstrates the secrets of technology, is gaining hundreds of views.

Patchwork tablecloth

A patchwork tablecloth is a fashionable thing, the idea of ​​which is exploited in more than one designer collection. Why overpay if you can make such a thing yourself from the remaining shreds. Get inspired by a photo, find the necessary schemes (and the schemes may not be needed at all, since the idea is simple), or find a video master class.


The complexity of the sewing technology of such a tablecloth depends on the skills and amount of decor.

You will need:

  • Scraps of fabric for the main part;
  • Lining fabric;
  • Sewing machine;
  • Threads;
  • Scissors;
  • Templates.

First, you measure the size of the table, after which it will be clear how much fabric you need. Then you make templates - paper squares 20 by 20 cm. It is this size that is optional, it can be more, it can be less. But let's still accept the conditional 20 by 20 cm. You cut the squares from different shreds or cuts of fabric.

Then you act like this:

  • The edges of the cut parts must be processed so that the threads do not sprinkle;
  • Fold the squares in any shape, cleave with pins;
  • Sew them into a canvas, then iron the seams;
  • The tablecloth, or rather, its front part is almost ready - it remains only to sew on the border.


Look at the examples in the photo, and determine which option is preferable for you

After sewing on the border, the product must be ironed again. Then you take the lining fabric, put the resulting canvas of squares on it. The lining is connected to the canvas with pins, the excess fabric is cut off, the edge of the edging strip is folded over by 2 cm. Everything is sewn together and ironed again.

As for the number of fragments in this tablecloth, of course, there can be a lot of them so that they literally do not repeat. But such a bright patchwork can become a product, as they say, "on the occasion." It will be too colorful thing, which should always be in harmony with the interior. And the interior, if it mainly does not consist of such handicraft things, may not “make friends” with such a tablecloth. But! If the shreds are not bright, but delicate colors or in pastel colors, this changes the situation.

How to sew a decorative fabric from shreds (video)

Patchwork: Lyapochikh technique

Lyapochykha is a technology of patchwork, which everyone is probably familiar with in one way or another. At least if you saw grandmother's fleecy rugs made of colorful shreds. Of course, such technology was created not from a rich imagination and a desire to surprise, but from poverty. Moreover, from the wise peasant position: it was believed that it was impossible to throw away worn clothes, in this case, the favor of higher powers would not be seen by the family. And poverty, as a punishment, will follow such neglect of old clothes.

So women literally used every shred, and how they used it! Not rugs, but pictures came out from under their skillful hands, although then, of course, no one called it all the modern word “patchwork”.

Fleecy patchwork rugs from the times of our great-grandmothers have migrated to today. Lyapochika is not just a tribute to traditions, but a technology that can create beautiful and cozy interior things.


Lyapochykha - old technique patchwork, cost-free

Features of the Lypochiha technique:

  • There is a simple technique- the strips are simply sewn in rows. Each patch is sewn in the middle, its edges are bent, creating the desired volume. The splendor of the thing depends on the size of the shreds. Well, if the shreds are the same size, then they will be sewn with the “butterfly” type (an inconspicuous seam in the middle). The rows are made dense so that the fabric keeps its shape well.
  • The complex technique is that the little slippery is combined with weaving. During weaving, the shreds will be fixed in certain places. That is, it will be possible to create three-dimensional patterns on the product.
  • Patterns in the slippery you can create, but this task requires certain skills. If you have the opportunity to watch a photo or video of master classes, it’s better to do so. And here's why it's difficult: markings are applied to the fabric along the color lines. Then the shreds are fixed, the schemes will be like this - from the center to the edges. The base colors will be in the center and the rest around them.

In all cases, the master must understand that such sewing has the most important feature, and it depends only on the needlewoman herself. This is a clever combination of colors. It determines the final look of the work, whether the product will be artistic. Look at the photos of works in this technique, evaluate the most successful ones, do not expect a quick understanding of all the basics of the technique.


Products in this technique are quite stylish and unusual.

Just trying yourself in the patchwork technique, always carefully study both the patterns and patterns. If you don’t know where to start and where to move, the program of the Patchwork Technique circle is suitable as a basis. Why a program, and even a mug? Yes, because there is a base, there is a clear sequence of classes according to the principle of complication, there are the same schemes and patterns.

The program involves an explanation of the basics, gives methodological references. That is, you will understand which video to watch, which master classes to pay attention to. And the program coordinates your independent work.

Patchwork chenille techniques

The front part of the chenille is colored stripes neatly sewn onto some kind of base. But this is not traditional sewing. The differences between chenille are fundamental. Initially, large pieces of fabric with the help of special techniques turn into even stripes, and outwardly look like a pile.

It is believed that chenille is just a saving technique. What only problematic corners it will not fix. For example, rips on jeans. If the chenille is ruffled with a sufficiently stiff plastic brush, you get the effect of a large ribbed velveteen.


Chenille is an imitation of a small set of shreds from strips of fabric

The chenille blank consists of three parts:

  • Base or bottom layer;
  • Middle layer - several layers of fabric for a volumetric effect and warming things;
  • Top layer, decorative.

If we talk about chenille technology, at first glance it is very complicated, but in fact it’s just painstaking work. It is important to assemble the chenille blank correctly. To do this, lay the main layer face up on the surface, then, one by one, the fillers. A decorative layer of chenille, laid face up, will complete the workpiece.

Chenille technique: master class (video)

Patchwork in watercolor technique

Watercolor is a popular technique that is based on the same squares. Of course, not every master will take up watercolor, as this story, to put it mildly, is long-lasting. But the result is incredible - in any photo you can see that the watercolor product fully justifies its name.

To choose the right fabric for watercolor, you need:

  • To harmonize the color and pattern of the fabric;
  • Drawings on the fabric should not be large and discreet;
  • Floral prints are the most preferred;
  • The transition of shades - from light to dark.


It is the transition of shades from light to dark that makes up the effect, reminiscent of watercolor.

This is the finest, painstaking work. Watch at least a couple of videos: how the master selects fabrics, how he combines them. Here it is easier to miscalculate with the color of patches and print than anywhere else. Master classes will help you navigate the tricks of such a technique as watercolor. Diagrams are also very important, as patterns in work with the smallest details.

A watercolor blanket can take a year or more, but the work is worth it.

Patchwork technique

And some more concepts that are invariably associated with patchwork can often be encountered by a beginner needlewoman. Again, the circle work program will help you understand where to start, understand the basic terms of patchwork, send you to certain master classes.

The most important concepts of patchwork:

  • Well. The “well” technique is based on a simple geometric square figure. The square is made up of stripes. Only since it's a well, the strips are called logs. You can collect strips-logs in a well in different ways.
  • Stained glass. A more common name is Australian stained glass. Stained glass can be made both manually and on a sewing machine. To get a real stained glass window, or rather, the effect of a stained glass window, the drawings in this technique must have clear boundaries. Usually stained glass in patchwork is created by dark or black stripes of slanting inlays. Stained glass is a graphic patchwork.
  • Yo-yo. This is the name of not only the technique, but also the assembly unit in this technique, which resembles a dumpling. Both patterns and diagrams are quite simple.
  • Pizza. The pizza technique allows you to use the smallest shreds. The pizza thing also has three layers. The top of the pizza is covered with a layer of any transparent fabric, such as organza or tulle. The layers are machine stitched. But pizza, of course, is not a self-sufficient product, but a part of some thing. For example, pizza can form the basis of a handbag. Although pizza napkins can also decorate the table in the living room. Those who love accelerated actions, and work where not everything is strict, but there are corners and all sorts of chaos, will especially like this kind of sewing.


The basis of the "well" is always a square

It is worth mentioning the corners. This is a massive technique. Corners seem to enliven the product. Usually corners are used in the manufacture of panels, pot holders, rugs. Corners can also edging blankets. The patches are not sewn together, the corners allow them to be turned over to the base. And the corners can be invested in each other.

Patchwork technique in the interior (video)

Patchwork is a whole world that has its own complexity classes, patterns, and a number of author's works that can be peeped on the video. There are accelerated courses (including videos) that allow you to quickly get to know the patchwork. Whichever path you choose, don't expect results to be faster. This is a job for diligent, focused on the future.

Patchwork technique (photo)

Goals:

  • To acquaint students with the technique of patchwork "Lyapochikha";
  • Develop Creative skills students.
  1. To teach how to work in the technique of patchwork "Lyapochikha" through acquaintance with the distinctive features of the technique, the technological sequence of making a rug.
  2. Develop attention, memory, sewing skills, aesthetic taste.
  3. To cultivate respect for the traditions of folk art; interest in patchwork, accuracy, perseverance.

Class type: learning new material.

Assignment: the beginning of work on the manufacture of a rug using the Lyapochikh technique.

Duration: 45 minutes.

Equipment:

1. T.S.O. – interactive whiteboard, projector, laptop.

2. Materials and tools:

  • Base detail;
  • lining detail;
  • Stripes of knitwear of different colors, 4x8cm in size;
  • hoop;
  • Threads;
  • Scissors;
  • Pincushion with needle and pins.

Visual range:

a) Didactic material:

  • Cards with a sequence of sewing patches by color.

b) Demo material:

  • Presentation “Patchwork. Technique "Lyapochikh";
  • Samples "Technology for the manufacture of rugs."

Lesson structure:

I. Organizing time- 1 min.

II. Introduction to the topic and objectives of the lesson - 2 min.

2.1. Announcement of the topic of the lesson.
2.2. Story about the traditions of patchwork sewing.

III. Learning new material - 3 min.

3.1. Vocabulary work.
3.2. Technique "Lyapochikha" (review). Butterfly method.

IV. Practical work 35 min.


4.2. Workplace organization.
4.3. Stages of work on the manufacture of rugs.

V. Analysis of work - 3 min.
VI. Lesson summary - 1 min.

Preliminary work: cutting the warps, cutting the strips of knitwear

STUDY PROCESS

I. Organizational moment. Greeting guests, seating.

II. Familiarity with the topic and objectives of the lesson.

2.1. Theme announcement.

The topic of our lesson: “The technique of patchwork “Lyapochikha”. Making a rug” (Appendix 1. Slide 1)

2.2. Story about the traditions of patchwork sewing.

All the things around us (books, furniture, clothes, etc.) bear the stamp of their owners and make up a unique individual objective world, our second “I”. A careful, prudent attitude towards your second “I” speaks of what kind of owner is in the house.

In the old days, farming in peasant families was very diligent and nothing was thrown away. It was believed that wealth would leave the house with thrown things. Broken things were repaired, clothes were altered, and what could not be altered was burned in the oven. Even worn-out old bast shoes, after making new ones, were buried in the beds.

Unnecessary things were used by folk craftswomen in patchwork. From small scraps of fabrics of various textures, they were made miscellaneous products: patchwork bedspreads and blankets, pillows, toys, rugs and more (Appendix 1. Slide 2-10)

These pieces, no longer suitable for anything else, were sewn into certain order, and sometimes just like that on a certain basis, were sewn together, forming patterns and ornaments, and became small works of art. They served in everyday life and thereby gave a second, and perhaps a third life to unnecessary things.

Today we will try to give a second life to old things. Let's get acquainted with the technique of patchwork "Lyapochikha" and begin work on making a rug using the "Lyapochikha" technique. But first I will introduce you to this technique.

III. Learning new material .

3.1. Vocabulary work.

The Lyapochikh technique is very simple and interesting. What is a "Lapocchiha"?

Lapochikha is the sewing of finely cut strips of fabric onto the base. There are various names for it: “lyapotok”, “lyapachok”, “blooper”, “noodles”. (Appendix 1. Slide 11)

A separate protruding patch of fabric is called a “bump” (Appendix 1. Slide 12)

3.2. Technique "Lyapochikha" (review). Butterfly method.

In the Lyapochikh technique, there are several options for sewing shreds onto the base.

Option 2 - stripes are sewn according to the markings (Appendix 1. Slide 16)

The basis for the manufacture of products can be square, round, rectangular shape. According to the marking, the strips are sewn from the center to the edges of the product, row by row.

The fabric is cut not only into small strips, but also into square and rectangular shapes.

There are ways to sew patches on the base. shreds square shape sewn to the base only in the middle, forming the so-called "flower". And the rectangular patches are twisted in the middle, forming a “butterfly” and sewn to the base (Appendix 1. Slide 17)

They get like this beautiful products (Appendix 1. Slide 18)

To make the products neat and beautiful, knitted fabrics are used, as they are non-friable and give volume to the product.

In work, you can use different knitwear: thick and thin, looped and smooth, plain and multi-colored (Appendix 1. Slide 19)

We will make in the technique of "Lyapochikha" - a rug (Appendix 1. Slide 20)

Depending on the size of the knitted patches, you can get a short-pile or long-pile rug.

We will produce a long pile rug. It requires shreds of a rectangular shape measuring 4x8cm. To sew patches on the base, we will use the “butterfly” method (Appendix 1. Slide 21)

We twist a piece of fabric in the middle - it turns out a “butterfly”. Sew patch to base thread is better in the color of the patchwork, so the seam will not be noticeable.

We have prepared knitted stripes. Also prepared the basis round shape and marked it up and we can get to work.

IV. Practical work.

4.1. Safety briefing.

But before starting work, we will repeat the safety rules. I offer you a game. For the correct answers, you get cards that will be useful to you in your work. First, you will name the rules of TB when working with a needle and pins, then we will check the correctness of the answers on the screen.

Now name the safety rules when working with scissors. Check if you named everything (Appendix 1. Slide 22-23)

4.2. Workplace organization.

What materials and tools do we need to work? Materials and tools:

  • Base detail;
  • Stripes of knitwear of different colors;
  • hoop;
  • Threads;
  • Scissors;
  • Pincushion with needle and pins;
  • lining detail;
  • Bias binding for finishing the edge of the product (Appendix 1. Slide 24)

You have received cards on which the sequence of sewing rows by color is indicated. Now you need to choose a plate with shreds that matches your card. Also take everything you need for work and prepare your workspaces.

4.3. Stages of work on the manufacture of rugs.

We will make the rug in stages. On the screen you will see each stage of work, and perform it. So, let's start making the rug. Look at the cards and prepare the needle and thread for the first patch.

Stage 1 - sewing on a patch in the center of the base.

We insert the needle from the wrong side in the center of the base, we make a backtack. We take a piece of fabric, twist it in the middle, forming a “butterfly”.

We apply with front side bases in the center, hold firmly with your fingers. We insert the needle from the wrong side in front of the patch and sew with two stitches. Making a backtack (Appendix 1. Slide 25-29)

Picture 1

Stage 2 - sewing on the first row of patches.

Without cutting the threads, we make a broach - a step to the next shred on the next row. We make a bartack, twist the patch and sew it with two stitches. We make a fastener. In the same order, we sew the subsequent shreds (Appendix 1. Slide 30-36)

Figure 2

Stage 3 - sewing on the second row of patches.

(Appendix 1. Slide 37)

Figure 3

Stage 4 - sewing on the third row of shreds.

We make a broach to the next row. We make a bartack with two stitches, twist the patch and sew with two stitches. We make a fastener. Sew the following patches in the same order. (Appendix 1. Slide 38)

Figure 4

Stage 5 - sewing on the fourth row of patches.

We make a broach to the next row. We make a bartack with two stitches, twist the patch and sew with two stitches. We make a fastener. Sew the following patches in the same order. (Appendix 1. Slide 39)

Figure 5

Stage 6 - sewing on the fifth row of patches.

We make a broach to the next row. We make a bartack with two stitches, twist the patch and sew with two stitches. We make a fastener. Sew the following patches in the same order. (Appendix 1. Slide 40)

Figure 6

Stage 7 - collecting the rug.

We take the base part and the lining part. We combine the edges, cut off with pins and sweep 0.5 cm from the edge (Appendix 1. Slide 41)

Figure 7

Stage 8 - processing the edge of the rug.

The edges of the rug and the oblique inlay are combined and chopped off with pins. We sweep in a circle. We lay a machine line, remove the running seam. We turn the bias tape to the wrong side of the rug and sew it with a blind seam. (Appendix 1. Slide 42-43)

Figure 8

Figure 9

Today in the lesson we started to make a rug and we will continue further work in the next lesson.

V. Analysis of work.

When analyzing children's work, it is noted:

  • Accuracy of work;
  • The correctness of sewing patches.

VI. Summary of the lesson.

  • What quilting technique are you familiar with?
  • What does the word "Lapochiha" mean?

Today we got acquainted with the technique of patchwork “Lyapochikha”, we began work on making a rug using this technique. In the next lesson, we will continue to make it. The rug can serve as a warm bedspread on a chair or a rug by the bed. Such a rug will be an interesting and original gift for the holiday to your family and friends. And the knowledge gained in the lesson will be useful to you: you can teach your relatives, girlfriends or friends how to make such rugs. I thank you all for your work. You worked hard and saw the first results of your work.

Literature:

  1. Mazurik T.A. Patchwork. From craft to art. - St. Petersburg: "Parity", 2001
  2. Nagel O.I. Artistic patchwork. - M .: School-Press, 2000.