Photoshop to make your face beautiful. How to change facial expression in photoshop
Hello, dear readers of my site! Today I will show you how to do quick retouch persons in the program Adobe Photoshop.
With this article I open new rubric entitled . It will contain articles that reveal the methods and techniques for correcting images that I use in, as well as those that I will still study with you.
How to quickly do face retouching?
The presented algorithm does not qualify for an Oscar or any other achievements. However, it is quite convenient for quickly obtaining a low-resolution photo, in particular for an avatar, for a background on a cell phone, etc. I do not recommend using this technique as a deep retouch, because it is harmful!
1. Select an image to work with. Here is the original photo, which was taken handheld, without using my favorite:
2. We remove all the bumps and flaws of the face using the tool.
Just move the cursor in the form of a ring on the places that we want to fix and click on them. So we eliminate all point irregularities. Get carried away and try to make a doll"Barbie"no need, then we will use the filterBlur, which will easily smooth out minor flaws. Here's what after using, I got:
3. Now we create a duplicate of the layer and turn off the visibility of the first image by clicking on the eye to the left of the layer name.
4. The next step is to go to the tab Filter --> Blur --> Surface Blur and select settings Radius And Threshold.
I set 45 pixels for the first parameter and 25 for the second. You may have different values, it all depends on the original image, but the result should be something like this:
5. Adding a mask to a layer Layer --> Layer Mask --> Hide All and turn on the first layer, i.e. make it visible.
6. Take a brush with soft edges and set it to white. We paint over all bodily areas of the skin, in particular the face of the model. I wasn't very careful and brushed over the eyebrows, lips, eyes and other areas of the face that should be sharp in the photo. In order to correct this oversight, set the brush color to black and paint over the places that we want to make sharp on the skin. Here's what I was able to achieve:
7. Final stage. It remains to give the skin of the face a natural relief, otherwise the face looks too stretched. To do this, set the transparency (Opacity) top layer 50%:
Here is the final image:
Came pretty quickly, and the result is quite good. I hope you liked the article and was simple and understandable. Now I do face retouching in Photoshop using a slightly different algorithm. You can see examples of work in the article "". However, from the very beginning, he did everything as described in the article.
And for more quality retouching definitely (I repeat, definitely) you should watch the lesson from Evgeny Kartashov “Retouching using the frequency decomposition method” (this is a completely different level of photo retouching):
Photo retouching- one of the most popular features when working in Photoshop. The number of methods for achieving this or that result is excessively large, and the methods have a fairly wide variety. Traditionally, every professional photographer or photo retouching designer has his own tricks and subtleties to achieve this or that effect. Described below various methods which will allow you to expand your skills in this area.
In natural light shots sunlight, one way or another, creates a certain texture. Some places look overly shaded, while areas where Sun rays hit without any obstacles, look too bright. IN similar cases there is a need to somehow control the intensity of light and brightness in the photo. To do this, create a new layer using the key combination Shift + Ctrl + N, or go to the menu “Layers” (Layer) → “New” (New) → “Layer” (Layer), and change the blending mode here: “Lightening the basics » (Color Dodge). Opacity should be set at 15%.
Using the eyedropper, select a color in the area of the photo that you want to make lighter. Next, take a brush with soft edges and start to adjust the light, each time choosing the tone that best matches the area you are working with. Using this method, you can not only increase the brightness of some areas in the picture, but also adjust the saturation. colors. As a result, you can achieve an effect that is closest to the real picture.
First, open the photo using the Camera Raw format. You can do this in the Photoshop program itself, following the path “File” (File) → “Open as a smart object” (Open as Smart Object). In addition, you can use Bridge, here by clicking right button mouse select "Open in Camera Raw". To optimize the original image, you will need to set the basic settings. You can do this, for example, by playing with the Fill Light or Recovery sliders. Now we go to the “Grayscale” tab (HSL / Grayscale), there we click on the item “Convert to Grayscale” (Convert to Grayscale) and select the value “Yellows” at about +20, “Blues” at -85, “Greens » to +90. The result should be an almost black sky, and the bushes will turn white.
You can not stop at this result and give the picture more grain. To do this, go to the “Effects” tab and set the following parameters: for roughness 80, for size 20 and 15 for amount. You can also use the Vignette effect using -35 for roundness, -30 for amount, 40 for midpoint. Thanks to the actions taken, the picture becomes like an infrared image.
Level manipulation
With the "Levels adjustment" tool, you can set the white and black points to adjust the hues different colors. But when working, there is a problem with determining the darkest and lightest places in the photo. For permission this issue you need to go to the menu “Layers” (Level) → “Adjustment layer” (New Adjustment Layer) → “Isohelia” (Threshold), or click at the bottom of the palette “Layers” (Layer). Set the slider parameters in such a way that only a couple of white spots remain on the image. Set a dot on one of these spots using the Color Sampler tool. Now move the slider to the left until there are only a few black spots left, put a second dot on one of them.
We are looking for a neutral gray halftone in the resulting image. Create a new layer between the original image and the Threshold adjustment layer. Now you need to go to the item “Editing” (Edit) → “Fill” (Fill) or hold down the keys Shift + F5, fill the new empty layer with gray by 50%, selecting in the field “Contents” (Contents) 50% “Gray”.
Make active layer "Isohelia" (Threshold) and change the blending mode to "Difference" (Difference). Select "Isohelia" (Threshold) again, move the slider all the way to the left, and then smoothly move it to the right until small black dots appear - these are neutral midtones. On the black area add a “Color Sampler spot” and delete the layer filled with gray (50% “Gray”) and the adjustment layer (Threshold). Create a new empty adjustment layer and use the first pipette on the blackest area, and the third on the lightest area, and use the middle one on the third point of the color standard. Thus, we reduced the number of shades in the original photo.
In the menu “Layers” (Layer) select “Adjusting new layer” (New Adjustment Layer) → “Hue / Saturation” (Hue / Saturation), select the blending mode “Soft light” (Soft Light) and check the box on the position “ Toning ” (Colorize). By manipulating the sliders “Brightness” (Lightness), “Color tone” (Hue), and “Saturation” (Saturation), we make the tones of the image colder or warmer.
You can also use color layers. To do this, use the function “Create a fill layer or a new adjustment layer” (Adjustment Layer / New Fill), change the blending mode to “Bright light” (Vivid Light) and set the layer opacity to 11-13%, hold down the keys Ctrl + I and invert the layer mask. The area to be tinted is painted over using big brush with soft white edges. The result of the work is especially visible in portrait shots with a textured background.
Often when editing landscape and landscape shots, there is a need to enhance the details. To achieve this goal, you can try to increase the contrast of the midtones. Press Ctrl + J to copy the background layer to a new one. Move to the menu “Filter” (Filter) → “Convert for Smart Filters” (Convert for Smart Filters), then again “Filter” (Filter) → “Other” (Other) → “ Colour contrast" (High Pass), where we set the pixel radius equal to 3. Change the overlay to "Overlay" (Overlay) and open the window "Layer Style" (Layer Style) by double-clicking near the layer name.
For the first gradient "This Layer" (This Layer) set the values at the level from 50/100 to 150/200, while holding Alt key and spreading the runners. This will increase the contrast only in the middle tones. In the layers palette, double-click again to activate the filter “Color Contrast” (High Pass) ”and adjust the radius values. The result is a photo with increased midtone contrast.
We imitate a sunset
The sunset itself a natural phenomenon, already can be extraordinarily beautiful. If we are talking about the sea in the rays of the setting sun, we can confidently talk about the picturesqueness of such a photograph. With a few tricks and tricks in Photoshop, it's easy to simulate a sunset. You can change the tones using the gradient map. Go to the menu “Fill layer or new adjustment layer” (Adjustment Layer-Gradient Map / New Fill), open the gradient panel.
Open the editor by clicking on the gradient itself. For the first marker, change the gradient color to red, for the other marker, set yellow and at the same time change the blending mode to “Soft light” (Soft Light), while lowering the opacity to 50%. The result should be a warm, golden sunset.
Using the method described below, you can easily create a beautiful and relaxed smile.
Select the tool "Polygon Lasso" (Polygon Lasso tool) and select the area around the mouth, this can be done quite conditionally, far beyond the edges of the lips. In the menu “Select” (Select) → “Modification” (Modify) → “Feathering” (Feather), select a radius of 10 pixels. Next, hold down Ctrl + J and copy to a new layer. Going to the menu “Editing” (Edit) → “Puppet deformation” (Puppet Warp), as a result, a grid will appear around our previous selection. In the options panel, find the "Expansion" parameter, with it you can adjust the volume and size of the grid. Place the pins at the anchor points - that is, at the places that should remain stationary. Modify the network by dragging it until you get a beautiful smile.
With macro photography, you can create colorful shots of water and water droplets. Sometimes it is not superfluous to emphasize their picturesqueness with the help of color correction. To get water drops with optimized colors, you can use a gradient: “Layer” (Layer) → “Layer Style” (Layer Style) → “Gradient Overlay” (Gradient Overlay). Change the overlay to “Color” (Color), reduce the opacity to 50%, the gradient “Foreground to background color” and set the angle to 90 °. This way the gradient is saved as a layer style and can be changed at any time by double clicking on the layer in the palette.
You can also color the surface with a linear gradient, create a new style layer and gradient from #772222 (RGB 119, 34, 34) to #3333bb (RGB 51, 51, 187). As a result, we get illuminated water drops.
Sometimes, after retouching, the skin in the photo does not look quite natural and perfect. The reason may be the general Color tone set for the snapshot. This flaw can be eliminated by creating a “New Adjustment Layer” (New Adjustment Layer) → “Hue / Saturation” (Hue / Saturation). Now invert the layer mask by clicking on its thumbnail and hold down the keys Ctrl + I. Paint over the areas of the skin, the color of which you consider unsatisfactory. In this case, we use a brush with soft edges in white. You can also adjust the colors using the sliders "Brightness" (Lightness)
Hue, Saturation. It is difficult to recommend specific values here, it all depends on the photo, so be guided by your preferences.
Skin Tone Matching
In paired or group shots, the paleness of one person's skin may unfavorably set off another's tan, or vice versa. To optimize different skin tones, they resort to using the Match Color tool. Let's say that in a photo where there are 2 people, the skin of one person is very red. We start working with such an image by opening it using the Quick Selection tool. First, select the red skin, apply to the selection
Feather by 10-15 pixels, and copy to a new layer with the keyboard shortcut Ctrl + J.
Acting according to the sequence described above, work on pale skin.
Make active the layer on which the red skin is located, and go to the menu “Image” (Image) → “Correction” (Adjustments) →> “Pick up the color” (Match Color). Use the sliders to adjust the tone until we get desired result. The intensity of the effect can be adjusted by moving the "Luminance" and "Color Intensity" sliders. Once the result is saved, you can vary the effect by changing the layer's opacity.
Reducing the intensity of noise
"Noisy" images may not be very pleasing to the eye of the beholder. Try to reduce noise by using channels. Press Ctrl + J to copy the original layer. In the "Channels" palette, select the channel with the lowest noise level, drag it with the mouse to " New channel» (New Channel), which is located next to the basket. Next, go to the menu “Filter” (Filter) → “Stylization” (Stylize) → “Select edges” (Find Edges) and apply “Gaussian Blur” with a radius of 3 pixels.
Now hold down the Ctrl key and click on the thumbnail of the new channel, thus selecting its contents. Turn on the RGB mode again and go to the Layers panel, where we create a mask “Add layer mask” (Add Layer Mask). Click on the thumbnail to make the layer active and go to the filter menu: “Filter” (Filter) → “Blur” (Blur) → “Blur on the surface” (Surface Blur). Now we adjust the values of the sliders "Radius" (Radius) and "Isohelia" (Threshold) so that the noise is reduced as much as possible. The essence of the described method lies in the fact that the contours - that is, the darkest places in the photo, thanks to the created mask, remain untouched, while everything else becomes blurry.
Retro effect in Photoshop
Achieve desired effect we will use curves. Go to the menu “Layers” (Layer) → “New Adjustment Layer” (New Adjustment Layer) → “Curves” (Curves) and change the RGB mode to Red. Play with the slider by dragging it down a little for the shadows and up a little for the highlights. Next, change the mode to Green. And we do everything for him exactly as for Red. For the Blue channel, you need to do the opposite, so that the shadows begin to cast blue light, and the lighter areas become yellowish.
Now create a new layer, hold down Shift + Ctrl + N, and set the blending mode to “Exception” (Exclusion). Fill the created layer with color #000066 (RGB 0, 0, 102). Press Ctrl + J, copy the background layer of the image, set the blending mode to “Soft light”(Soft Light). If desired, you can group the photo layers by pressing Ctrl + G, and play with their opacity until you get a suitable result.
Definition of layers
Often when working with a complex template and collage, there is an overabundance of layers with standard names, since original names layers are often neglected. As a result, we have a lot of similar names like “layer 53 / layer 5 copy 3”, etc. There are problems with layer identification. To prevent confusion, Photoshop offers several solutions. For example, you can select "Move" (Move tool) and right-click on it, so you can see which layers are located behind the current layer. This method is convenient for a relatively small number of layers, otherwise it will not be very easy to find the desired layer in the drop-down list.
You can click on the “Move” item (Move tool) with the left mouse button while holding down the Ctrl key, this will move you to the layer that you clicked.
In addition, you can change the size of the thumbnails themselves and the style of their display. To do this, click on the arrow in the upper right corner of the “Layers” panel (Layers) and select “Panel Options” (Layers Palette Options), the layer palette settings window will open. Set the options and style as you like.
We save resources
When using plugins in your work, you may have noticed that the work Photoshop programs noticeably slows down, loading and response time increases. To eliminate this shortcoming, you can create a new folder in the directory Adobe → Adobe Photoshop CS5, name it Plugins_deactivated. All unused in this moment drag and drop extensions there and, the next time the program is loaded, these plugins will not start, although they will be ready to work at any time. Thus, you will free up the computer's RAM, which will significantly increase its performance.
Sepia
Classic sepia shades are unlikely to ever lose their relevance. To enhance the sepia on a black and white image, move along the path “Layer” (Layer) → “Adjustment New Layer” (New Adjustment Layer) → “Photo Filter” (Photo Filter) and apply the filter “Sepia” with 100% density. Open the Layer Style window by double-clicking on the layer. Move the white slider on the first gradient to the left while holding down the Alt key. So the transition between the adjusted and uncorrected area of the photo will be smooth and soft.
Often the program, trying to help us, puts objects in the wrong place at all, where we would like. Sometimes this feature is useful, sometimes it just gets in the way. The fact is that Photoshop, by default, binds our element to other objects. To temporarily remove the anchoring of elements, you just need to hold down the Ctrl key while positioning the elements.
Multiple shadows for one object
Sometimes it becomes necessary to create two or three shadows from one object. At first glance, it seems complicated, but it is quite possible to create such an effect. We will create shadows in turn, first we discard one. Follow the traditional path “Layers” (Layer) → “Layer Style” (Layer Style) → “Shadow” (Drop Shadow). Right-click on the layer icon and select "Convert to Smart Object" (Convert to Smart Object), now the shadow and our object are one, you can also cast a shadow from it in the same way. And again convert it to a smart object. Similarly, you can create as many shadows as you like for one object.
Plus, the shadow can also be converted to a new layer by right-clicking on FX. Here we select “Form a layer” (Create Layer). This is useful in order to apply a different filter to each of the created shadows.
Based on materials from the site:
Very helpful and effective reception for photo processing, it is not complicated and quite fast and everyone should know it! This lesson will be useful for those who are very often faced with photo processing, and for those who want to learn how to create beautiful effects in photoshop. The author here considers a large number of tricks with layers, it should be noted that we will use a large number of layers, so in order to repeat everything later in practice, you need to have a fairly powerful computer at home. Of course, you can reduce the size of the photo, thereby reducing the load.
Here is the picture, half changed:
Before starting this tutorial, the author decided to show us how we will arrange the skin correction layers in the photo. It should be noted that this scheme can be considered successful, because thanks to it you can quickly not only find the necessary layers, you can also change their effect on the photograph. Below are all the layers. Now it's the turn to give the name of these layers in Russian. Let's go in order the retouching layer, the adjustment layer, the light correction, the make-up, the various “rubbing” of freckles, and at the very bottom is the original layer.
Step 1
We'll start by duplicating the original layer, then using the Clone Stamp Tool (S) and the Healing Brush (J). Further, using these tools, remove all dots, pimples and freckles from the skin (of course, if there are any in the picture), etc. For work, you need to use only a soft brush, since with it you can get better result. If large areas come across, then you can use a brush with a large diameter, but still it should be soft.
Step 2
It's best if you duplicate the layer right now. Now it is necessary to give the skin of the face the so-called plastic effect, thanks to which the model can be safely printed on the main page of the magazine. But it is best to start working with the area around the eyes and eyebrows. Open the Warp Tool or filter Shift + Ctrl + X. Now increase the area around the eye just a little bit with the help of these tools in the filter.
Step 3
Now let's start adding contrast and adjusting the light in the photo. For this we will use one interesting technique Angelic face. Duplicate the layer again, then apply a Gaussian blur to it Filter > Blur > Gaussian Blur with a blur parameter of about 8-10px. Then change the blending mode to "Soft Light" or Soft Light in Russian version of Photoshop. We don't want this effect to affect the entire photo, so we'll use a mask. Create a layer mask and paint over it as shown in the picture. The author used a large soft brush for the mask, sometimes reaping transparency.
Step 4
Now we need to focus on the actual process of correction and drawing. To do this, you first need to use a brush that has a low transparency (about 20%). The color is chosen on that part of the skin, which will be further corrected. Also, after you have chosen the size of the brush, set the exact same size on the Eyedropper Tool (I), for example, the author chose 51 by 51 pixels. Then start experimenting with correction, be sure to look at the results of the author to understand the whole point of the lesson.
The changes are very noticeable, especially in the areas around the nose, try to do the same.
Step 5
After we corrected the skin, let's take care of the eyes. In principle, we will repeat here what we did in the previous step, only now take the color more carefully. Now create a selection around the eyes, then use Layer > New > Layer via Copy to duplicate the area onto a new layer so we can work on it. On a new layer, use the Dodge Tool with these settings to highlight the eyes a bit.
Step 6
This is the final step before we start applying layers for adjustment. Follow these three points very carefully.
1. Use a brush with a low opacity of about 20% to make up the eyes. With this step, you can not try so hard, anyway, we will correct everything in the last steps with adjustment layers.
2. Now repeat the technique we used in Step 4, only now in the areas around the eyes themselves.
3. Now let's correct the white part of the eye. There are many ways, but the author settled on the best and at the same time simple. Create a new layer, choose a white brush with soft edges. And now gently whiten the eyes, just do not overdo it.
Step 7
Create two new adjustment layers:
These are the settings for the Levels and Curves or Levels and Curves layers.
Create another Hue/Saturation or Hue/Saturation Adjustment Layer and apply the following settings to it. Be sure to apply a layer mask so that this adjustment only affects the lips. This step will give the lips a pink tint.
Finally apply another filter or hue/saturation adjustment with these settings without any layer masks. This will give a slight glow to the skin of the face.
That's all, now it's time to compare the result, and not with the initial one:
Completion
That's all, I hope after this lesson you have already become a pro. Now you can process photos and understand how many corrective filters work in Photoshop.
Face swapping in Photoshop is either a joke or a necessity. What goals you personally pursue, I do not know, but I am obliged to teach you this.
This lesson will be completely devoted to how to change the face in Photoshop CS6.
We will change the standard - female face to the male.
The original images are:
Before you substitute a face in Photoshop, you need to understand a couple of rules.
First, the shooting angle should be as uniform as possible. Perfect option when both models are taken from the front.
The second, optional, is that the size and resolution of the photos must be the same, since when scaling (especially when zooming in) the cut fragment, the quality may suffer. It is acceptable if the photo from which the face is taken is larger than the original.
I don’t have a very good angle, but what we have, we have. Sometimes you don't have to choose.
So, let's start changing the face.
Open both photos in the editor in different tabs (documents). Go to the patient to be cut out and create a copy of the background layer ( CTRL+J).
Take any selection tool ( Lasso, Rectangular Lasso, or Pen) and outline Leo's face. I will take advantage Feather.
It is important to capture as many exposed and non-darkened skin areas as possible.
What we have as a result:
The next step will be the maximum combination of images. To do this, change the opacity of the layer with the cut face to about 65% and call "Free Transform" (CTRL+T).
With a frame "Free Transform" you can rotate and scale the cut face. Hold down to maintain proportions. SHIFT.
It is necessary to combine the eyes in the photographs as much as possible (required). It is not necessary to combine the remaining features, but you can slightly compress or stretch the image in any plane. But only a little, otherwise the character may turn out to be unrecognizable.
After finishing the process, press ENTER.
We remove the excess with a regular eraser, and then return the opacity of the layer to 100%.
We continue.
Hold down the key CTRL and click on the thumbnail of the cut face layer. A selection appears.
Go to the menu "Select - Modify - Compress". The size of the compression depends on the size of the image. 5-7 pixels is enough for me.
The selection has been modified.
Another mandatory step is to create a copy of the layer with the original image ( "Background"). IN this case drag the layer to the icon at the bottom of the palette.
Being on the newly created copy, press the key DEL, thereby removing original face. Then remove selection ( CTRL+D).
While on the copy of the background layer, hold down CTRL and click on the layer with the face, thereby selecting it as well.
Now let's go to the menu "Editing" and look for our "smart" function there.
In the window that opens, select "Stack Images" and press OK.
Let's wait a bit...
As you can see, the faces matched almost perfectly, but this rarely happens, so we continue.
Create a merged copy of all layers ( CTRL+SHIFT+ALT+E).
On the left, the chin is missing skin texture. Let's add.
Choosing a tool "Healing Brush".
We clamp ALT and take a skin sample from the inserted face. Then let go ALT and click on the area where the texture is missing. We perform the procedure as many times as necessary.
Hello, dear readers of the Start-Luck blog. There is a lot to retouch portraits, but if you want to achieve an amazing effect, then you have no choice, you have to use Photoshop. It will allow you to create such a result that you can even hang it on the wall, even use it in a glossy magazine. All friends and acquaintances will envy your photo, and most importantly, no particularly complex manipulations.
Today I will tell you how to retouch a face in Photoshop professionally. The work is easy but painstaking. You may not get away less than an hour. But the result will exceed all expectations. It was exactly like that with me.
I will not hide it, I took one of the first videos on YouTube and tried to repeat it and did not even particularly hope for a high-quality result, but it turned out to be perfect. You can read the text from step by step pictures, or you can immediately go to the end of the article and try to do everything exactly the same as in the video. For beginners, I would recommend the first option, but it's up to you.
To do this, drag the topmost slider slightly towards blue, and the bottom one towards blue.
I open "Tone" - "Shadows" and do the same.
Don't be afraid, the photo won't be that blue. Hold Alt + Del, everything will return as if in its place.
Now select a white brush and stroke the pupils on the portrait. You may have already worked with . Now you are doing just that.
Lower the opacity of the layer to make the picture look more natural.
Add another adjustment layer - hue/saturation.
We make the picture less saturated.
Now Curves.
Align the colors to your liking.
The face at the moment does not look quite natural, it is too pale. Go to the red channel. And try to revive it a little.
The same can be done with blue and green.
The opacity of this layer is also better to make a little less. For naturalness.
Again merge all previous layers into a heap.
Select the filter - sharpening and add contour sharpness to the portrait.
Set the effect to 50 and the radius to 1.
Once again go to the Unsharp Mask filter, but this time set the effect to 100 and the radius from 1 to 2.
OK it's all over Now. This is how our photo looked originally.
And also upon completion of all work.
Video instruction
I believe that the text and video mode will help you understand all the intricacies and add an excellent result. If you don’t understand something in the text, you can always go to the video and vice versa. For example, I could not understand initially how to reduce all layers into one. But then I figured it out.
Well, if you want to learn how to masterfully, thoroughly, professionally and thoughtfully retouch any photos, I can advise you on the course « Photoshop for photographer » in it you will find a detailed analysis of each tool and learn how to apply them, pursuing a specific goal and knowing what you are doing and why. You can learn how to use professional program masterfully.
OK it's all over Now. See you soon and don't forget to subscribe to the newsletter.
