Smooth color transition. Gradient. Blending rules for a smooth color transition

With the invention of gel polish, maintaining a beautiful manicure for a long time has become easy.

Gel polish stays on nails for about three weeks, does not chip off, retains a bright saturated color.

At the same time, there are an incredible number of types of design. It is convenient to add sparkles, rhinestones to the manicure, combine different shades, make drawings and patterns.

Stretching on nails with gel polish, or in another way gradient manicure, is popular among girls.

Stretching is a gradual transition from one color to another. It is not easy to implement such a design, but if you practice and “fill” your hand, everything will definitely work out.

Wizards use two ways to create gradient manicure. Consider master class stretching gel varnishes.

Method 1

To work, you need a thin brush. This technique quite laborious, but the result will be neat and you won’t have to remove excess varnish from the nail rollers.

Operating procedure:

Cooking nail plate for applying gel polish. To do this, we perform a manicure, remove or push back the cuticle, and also polish the nails with a buff. After that, degrease the surface.
Apply thin layer primer, then base coat and dry under a UV lamp. Now the nails are ready for applying gel polishes.
We apply a solid color gel polish (for example, black) on nails that will not have a design. Dry under a UV lamp.
On the nails where the gradient will be made, apply camouflage on two thirds of the nail, moving from the base to the middle.
We take a soft round brush and begin to stretch the camouflage to the edge of the nail. Keep the brush parallel to the nail to avoid streaks. Dry the coating under the lamp.
Acting according to the same algorithm, we apply the second layer (it is not necessary to dry it).
Mixing top coat with gel polish contrasting color(in our example, this is white as a contrast to black). The consistency should be medium so that the resulting mixture is not too transparent, but also does not “streak” when applied.
Apply the mixture with a clean brush on the free third of the nail. Now we stretch this layer with gentle movements in the direction from the junction of the gel polishes to the base of the nail, but not reaching it. We also hold the brush parallel to the nail.
With a clean brush with an already stronger pressure, once again shade the junction of the camouflage and the mixture of gel polish and base. After that, dry the coating under the lamp.
We apply the second layer already on two-thirds of the nail, stepping back a little from the base, and shade it again. To avoid streaks during shading, do not forget to remove excess gel polish from the brush. If desired, you can apply a third layer of gel polish to get the maximum density of color at the tip of the nail, and shade again.
Dry the nails under the lamp and apply a top coat. We are filming sticky layer cotton pad or a lint-free cloth soaked in a special liquid.

Operating procedure:

Prepare the nail plate, shape, dehydrate.
Apply base coat and cure under lamp.
Apply gel and do not dry.
Prepare a tube with an obliquely cut edge. Scoop glitters of the same color into it and lightly patting with your finger, pour them on the nail to the middle.
With an applicator or brush, spread them over the surface of the nail to the middle. Stretching can be done both obliquely and in a straight line.
Dry under the lamp.
Apply another layer of gel and repeat the procedure on the free edge of the nail, already with sparkles of a different color.
Dry under the lamp.
Apply top coat and dry.
Remove sticky layer.

A few tricks:

be sure to completely dry the base coat, otherwise the surface will be uneven,
hands and tools during the application of sparkles must be dry,
the brush can first be dipped into the fixing varnish, and only then into the sparkles for further drawing,
Before changing the color, wipe the brush with acetone.

Experiment with gel polish stretch marks nail design and your manicure will definitely not go unnoticed by others.

simple gradient

The simplest gradient is the transition of colors not on one nail, but from nail to nail. That is, you can use from three to five different shades in one color scheme.

It is important that the varnishes are of the same texture and density. Masters do not recommend in one manicure to combine glossy, mother-of-pearl, matte finishes, such a combination will look ridiculous.

This rule may not apply to glossy and matte varnishes.

If on matte colour apply a fixer, it will become glossy, and the gloss will become matte after applying a transparent product with a velvet effect.
If you chose a simple gradient, distribute the varnishes by tones. Start the best with dark.
If there are three colors, apply the darkest on middle finger, make the index and nameless ones lighter, and the lightest varnish will “get it” thumb and little finger.

If there are five shades, start with the little finger and each next nail make it lighter than the previous one.

VIDEO

You need to combine two colors on one nail carefully. Can be used for party bright colors e.g. purple, orange, pink.

For business meetings and everyday wear perfect option – pastel shades: white, soft pink, ivory, beige.

The vertical gradient looks original, that is, the combination of colors along the length of the nail. In this case, it is not necessary to limit yourself to two colors, you can take three or more.

A cheerful mood will be created by a rainbow stretch. Use all the colors of the rainbow - two or three shades on each nail.

A few tricks for the gradient on short nails:

use a light shade at the base, and apply a dark one to the tips - so the nails will become visually longer,
limit yourself to two colors, because on short nail the area is small and with a larger number of shades, the pattern may turn out to be blurry.

There are no restrictions on brands of gel polishes. All manufacturers offer a wide range of color scheme shades.

The natural color scheme is usually uniformly smooth. But even on perfectly flat surfaces of one solid color, natural color transitions are formed. Always an unintentional fall sun rays or artificial lighting, as well as changing the angle of view gives uneven and unique shades.

Two points of view, directed at the same object, perceive its color according to the difference in their viewing angles and the ratio with the angles of incidence of other rays on the viewed surface.

Psychological effects of color transitions

Color evokes not only physical sensations and depends not only on time and position in space. Reversed images of trees, houses, mountains, and other objects evoke a sense of reflection in or on another surface.

Absolutely black parallel lines on a perfectly white wall surface, each straight line along its entire length increases in thickness proportionally natural decrease the thickness of the line when looking at the wall - all this will cause the viewer to feel that the room has a horizontal ceiling.

One image, on which two are applied, and each of them is shifted relative to each other by the distance between the eyes, gives a spatial effect of volume if the gaze is defocused.

If the poster is large enough and the boundaries of the transition to reality are perfect, then what is depicted on the poster will be perceived so naturally that desired shades colors, the mind of the beholder will connect automatically.

The site, and above all, its design and have importance and complement the logic of the resource, its dialogue, produce the proper psychological effect on the visitor.

Smooth transitions with CSS

Gradients are created using the linear-gradient() and radial-gradient() functions. In the first case, a smooth color change occurs along a line, in the second case, along an ellipse or circle. CSS gradient can be set in border-image, list-style-image properties. By layering elements on top of each other, defining their transparency, you can create stunning shades of color and create unique transitions.

It should, however, be taken into account that color transition may not always be smooth. Some options for color combinations, transparency values, page background design can give unwanted, stepped effects.

CSS background gradient notation rules

The gradient represents smooth transition from one color to another. In this case, you can use several colors. Specifying a linear variant (CSS linear gradient) can be varied:

The first parameter is the angle or side of the area, followed by the colors. It is not necessary to use only two colors, you can draw the whole rainbow. By applying the property, you can get overlay effects.

Color picker, color generators

The creative part of the work of a designer, a website developer in last years simplified. Become practical and expedient rectangular shapes containing a minimum of information, a minimum of functions, a maximum of meaning and psychological attitude sell a product, provide a service, emphasize discounts, quality and / or significant differences from competitors.

However, even in such strict regulations and conditions for creating modern web resources, there is a place for creativity and a clear desire of some developers to do aggressive, targeted work with color that reflects the meaning of text content and the style of selected dialogue. CSS gradient has become more common.

The color schemes of Google and Skype in particular had an effect and followers, however, in the last couple of years, the active component of web design began to look for new forms, new color solutions and try the unobtrusive dynamics of smooth forms.

A lot of online resources (CSS gradient generator) have appeared on the Internet, which greatly simplify the work of choosing desired colors: angrytools, flatonika, generatecass, etc. With their help, you can save time on choosing the right colors, think over the line of transitions and overlays.

Dynamic color scheme

The traditions underlying the creation of web resources have made the rule unshakable: the structure, content and dialogue of the site with the client is the competence of the developer, realizing the will of the owner (customer). The appearance of the site, its design is also traditionally something that is not defined by the client.

Meanwhile, the number of various devices is growing, and in the families of each type there are various promising specimens that have significant differences, not so much in color reproduction, but in resolution and forms of the visible area of the browser.

The variety of browsers and versions used also creates problems in adequately displaying CSS gradient capabilities.

Taken together, assessing these circumstances and examples of some promising works, it can be argued that the appearance of the site only in the default state is the competence of the developer and / or the owner of the resource. Only when a client visits a resource for the first time, he may be able to evaluate the design of the site. If the client has found it worthwhile to remember the site and use it in his daily life, then his desire to have tools to manage appearance and functionally justified.

Such a shift in the center of gravity is beneficial for the developer: there is no need to implement cross-browser compatibility, test the site on various devices in various operating systems.

Moreover, the trend will create a common database on the actual implementation of the possibilities of CSS rules on various devices. This is only the beginning, but its potential is of great importance.

In this article, we will look at popular methods for smooth transitions between images.

Such transitions are necessary when you make complex collages or want to beautifully arrange several pictures in one.

Of all the options below: soft eraser, soft brushes and gradient, best method is the gradient. It is he who creates a first-class transition, without losing the quality of the original images. See for yourself: using an eraser, we paint over pixels, but what is the guarantee that you will be able to paint over everything perfectly? Of course, you can spend a whole day in Photoshop, erasing pixel by pixel. But, I think, “the game is not worth the candle”, because we strive not to spend a lot of time on certain operations and do everything quickly.

A soft eraser and a brush are good for feathering the edges so that the two photos blend well and don't look alien because of the hard edges.

Now let's take a closer look:

Soft eraser

Since the eraser tool can be used with brush options, using soft brush you can erase part of an image so that another image is visible, located on a layer below. With this technique, you can achieve the desired result, but it is just as irreversible as - if you change your mind and decide to connect the images in a different way, you will have to start all over again.

Once you have placed both images you want to merge into one document (each on a separate layer), do the following:

1. Drag the image you want to partially erase to the very top of the layers palette.

Note

Before erasing, it's a good idea to duplicate the layer you're working on in case you don't like the result (press Ctrl+J to do this). To prevent the new layer from bothering you, you can turn off its visibility (and turn it back on if needed).

2. Select the eraser by pressing the E key and set it to brush mode. To do this, on the Options Bar, in the Mode drop-down list, select Brush. Then, from the brush presets drop-down list, select a soft brush. Make sure the Opacity and Pressure fields are set to 100.

To make the transition even smoother, experiment with the opacity value of the eraser. By lowering the opacity value, you can create smoother transitions by moving the brush over the desired area, rather than making individual mouse clicks.

3. Place the mouse pointer over the image and erase the unwanted part. If you make a mistake or change your mind at some point, use the History palette to go back a few brush strokes, or undo the last operation by pressing the Ctrl + Z key combination.

Soft brushes and layer masks

An alternative to the eraser is the reverse option - painting a layer mask with a large soft brush. In this case, you just hide part of the picture instead of deleting it.

Let's say you want to emphasize how fast a motorcycle is going. Enhance the effect of motion You can do this by adding some motion blur to the image, and then hiding some of the blur with a layer mask.

Here's how to create fast motion effect:

1. Open the picture and create a duplicate of the original layer by pressing the key combination Ctrl + J.

2. Select the menu command Filters => Blur => Motion Blur. With this filter, you can create the feeling that the object is moving very quickly. Since the filter blurs the whole image, it becomes difficult to see the desired object in it, so you will have to hide part of the blurry layer by adding a layer mask. To add it, click on the button with the image of a circle in a rectangle at the bottom of the palette.

3. Press the B key to select the Brush tool and select a large soft brush. Set black as the foreground color.

I remind you that in relation to layer masks, drawing with black hides what we this case and must be done. Look at the bottom of the Tools panel and if they show black and white then press the X key until the black indicator is on top. If other colors are selected, then first set the default colors by pressing the D key, and then press the X key until the black indicator is on top.

6. Place the mouse pointer over the image and use the brush to hide part of the blurry layer.

gradient masks

Set aside soft brushes. Create the smoothest transitions possible possible using gradient - soft, gradual transition from one color to another. Methods for combining images using soft brushes and gradients are similar in that the images are combined in one document and then a layer mask is added to the top layer. But instead of painting the mask with a black or white brush, you use a black-transparent or black-and-white gradient for a smooth, seamless "flow" from one image to another.

1. Drag the picture, which should be in the foreground of the collage, to the very top of the layers list and add a layer mask to it.

2. Press the G key to select the Gradient tool. On the Options Bar, click the drop-down selection arrow. In the drop-down list, select the black-to-transparent gradient, and in the types group, click the linear gradient button.

3. In my example, I want the Batman logo on the right to be transparent. To do this, with the mouse button, I click on the border of the logo and hold down the key until I see about the middle of the logo. When I release the key, I get a smooth transition between images. To improve the quality of the transition, you can apply the gradient again and again.

As you drag, Photoshop draws a line representing the width of the transition: the shorter the line (the less distance you drag the pointer), the narrower and harder the transition (there won't be a clear border, but you get something close to it); how longer line, the wider the gradient and the smoother the transition.

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Ombre wall painting is very popular in modern design interiors, while the room acquires a unique character and looks quite impressive. An important factor is that painting with a transition is possible with your own hands, for this you need to follow the recommendations for performing this type of work.

Ombre on the walls means a smooth transition from one color to another, without indicating clear boundaries. In this case, transitions can be used not only on walls, but also in furniture decoration, color design curtains and other interior elements. When coloring with a transition, it is possible to visually enlarge the space, boldly combining all kinds of shades.

In order to clearly know and understand how to paint with a transition, it should be borne in mind that the application can be performed horizontally, vertically, diagonally, and painting can also be divergent or mixed type. The transitions themselves can be made both smooth and quite sharp.

Color combination

For the ombre technique, 2-3 colors or more are chosen, depending on which combination is supposed to be recreated on the wall. Regardless of which shade you choose, it is important that all subsequent ones are combined with it. If a subtle transition is made, it is better to use close shades or neutral ones. Some prefer sharp transitions of completely different and contrasting colors, which will revive and fill any interior with colors.

You can pick up several shades and paint the walls with them, for example, one plane will be blue, the other gray, etc. White is often added to the painted surface for greater expressiveness of the overall gamut.

Possible effects

Depending on the placement of dark and light areas on the surface, the following effects can be achieved:

Darkening the bottom and brightening the top of the wall- the ability to vertically increase the space, the ceiling seems higher, and the floor - powerful and reliable.

Darkening the top- visual expansion of the room. The boundaries of the walls and floor are slightly blurred, especially if the flooring is made in light colors.

Darkening the corners and brightening the wall in the middle- the room is noticeably rounded and visually narrowed. The interior acquires contrast and relief lines.

Lightening corners and areas near windows with darkening the walls in the middle- there is a visual expansion of the room, while the room becomes brighter and more positive.

With a diagonal or wavy transition- smoothing of straight lines and angles is observed, the room acquires more dynamics.
Spot with transition in different directions- can be used for repairs small area finishing, as a result, the boundaries of this zone become less noticeable.

Painting the walls with a gradient is quite complex technique implementation, so the services of professionals will be quite expensive. However, you can make an ombre with your own hands, special technique application will help you get the job done without additional help.

On the video: the original painting of the walls.

Surface preparation

Before you paint on the wall, you need to clean the surface. Old finishes should be removed using special liquids. Wallpaper can be softened with water and peeled off with a spatula. After that, it is important to remove all irregularities from the surface. For this, putties and plasters are used. Before and after puttying, a layer of primer is applied, which increases adhesion and facilitates the process of applying the paint of the selected color.

If you choose striped ombre coloring, you should first apply markings. This is done with a pencil and a long ruler. Then masking tape is glued onto the markings, which will ensure the evenness of the painting and make the transition in the desired area.

When choosing colors, it is important to consider the functional purpose of the room. For a child, it is better to choose soft and bright hues. The playroom will stand out well with the three-color painting technique. If we talk about the bedroom, calm tones are preferable, creating an atmosphere of warmth and tranquility. But for the kitchen great option will be a combination bright colors- orange, light green, pink, etc.

How to paint walls (step by step)

To date, the most popular coloring is a horizontal ombre, which allows you to achieve a unique and beautiful design premises. You can make a smooth transition from one tone to another using a regular roller or brush. However, in this case, it will be necessary to polish the transition points of the shade, which takes a lot of time and effort.

A better result will be obtained if you use a spray gun. The device has the function of adjusting the intensity of the paint supply, which will create a natural, lighter tone on the desired area.

Ombre is performed in several steps:

The base color paint must be diluted with a viscometer to the desired consistency. Paint is diluted in the same way. white color, the same brand.
Next, you need to mix the color and white paint to make it as light as possible. desired tone. The resulting composition is poured into the spray gun, after which the entire wall area is painted. Thus, the base color was obtained.
The airbrush is thoroughly washed, after which it should be filled with unclarified paint and apply the composition to lower part walls.
After flushing, the device has been charged for more than light paint. Before carrying out work, it is better to choose the right tone using a regular cardboard and adjusting the paint supply or changing the distance of the sprayer relative to the wall. When painting light streak applied to a darker layer up to half its height.
The last strip is applied in the same way. The paint should be slightly darker than the base shade. To smooth the boundaries, the spray nozzle must be moved away from the surface at a suitable distance.

If there is no spray gun, and only a paint roller is at hand, it does not matter! You can perform gradient staining according to the scheme below.

If the work is done with a brush, you can make a normal transition on an incompletely dried surface with a soft brush, this will achieve desired effect. If the layer has already hardened, you can use a stiff brush.

By decorating ombre walls with ordinary paint, you can adjust the height and width of the rooms, while creating the right atmosphere. Now you are not faced with the question of how to paint the walls to achieve desired result, you just have to follow a few recommendations for applying paint, because any adult can cope with the task.